It is a puny stream, as we are accustomed to measure streams, boxed in by stone walls and regulated by stone dams, and frequently it is mud-colored and, more frequently still, runs between muddy banks. In the West it would probably not even be dignified with a regular name, and in the East it would be of so little importance that the local congressman would not ask an annual appropriation of more than half a million dollars for the purposes of dredging, deepening and diking it. But even as you cross it you learn that it is the Tiber or the Arno, the Elbe or the Po; and, such is the force of precept and example, you immediately get all excited and worked up over it. English rivers are beautiful enough in a restrained, well-managed, landscape-gardened sort of way; but Americans do not enthuse over an English river because of what it is in itself, but because it happens to be the Thames or the Avon--because of the distinguished characters in history whose names are associated with it. Hades gets much of its reputation the same way. I think of one experience I had while touring through what we had learned to call the Dachshund District. Our route led us alongside a most inconsequential-looking little river. Its contents seemed a trifle too liquid for mud and a trifle too solid for water. On the nearer bank was a small village populated by short people and long dogs. Out in midstream, making poor headway against the semi-gelid current, was a little flutter-tailed steamboat panting and puffing violently and kicking up a lather of lacy spray with its wheelbuckets in a manner to remind you of a very warm small lady fanning herself with a very large gauze fan, and only getting hotter at the job. In America that stream would have been known as Mink Creek or Cassidy's Run, or by some equally poetic title; but when I found out it was the Danube--no less--I had a distinct thrill. On closer examination I discovered it to be a counterfeit thrill; but nevertheless, I had it. What applies in the main to the scenery applies in the main to the food. France has the reputation of breeding the best cooks in the world--and maybe she does; but when you are calling in France you find most of them out. They have emigrated to America, where a French chef gets more money in one year for exercising his art--and gets it easier--than he could get in ten years at home--and is given better ingredients to cook with than he ever had at home. The hotel in Paris at which we stopped served good enough meals, all of them centering, of course, round the inevitable poulet roti; but it took the staff an everlastingly long time to bring the food to you. If you grew reckless and ordered anything that was not on the bill it upset the entire establishment; and before they calmed down and relayed it in to you it was time for the next meal. Still, I must say we did not mind the waiting; near at hand a fascinating spectacle was invariably on exhibition.