Bartell looked up, having, after incredible finesse, slain and weighed
his giant salmon. Piersoll, recalling that the anecdotist had killed
other salmon in his time, made a hasty adieu and went to his hostess,
who lingered in the drawing room with the younger men. Teevan, before
the fire, breathed in smoke, emitted it from pursed lips, studied the
ash at the end of his cigarette from under raised, speculative brows,
and flashed search-light eyes upon his host.
"Who's the young chap, Chris?"
Bartell took up a liqueur glass and turned to his questioner.
"Name's Ewing, I believe. Some chap Eleanor picked up in the far West.
Painter, I believe, or means to be."
"Painter, yes, to be sure--quite right; painter...." He waited
pointedly.
"Paints cowboys and Indians, I fancy--the usual thing. Seems a decent
sort; rather a gentleman. You're looking a bit off. Randy."
"Am I, though? Queer! Never felt fitter. Walked to Fifty-ninth Street
and back to-day. Might have overdone a bit. That chap staying in town
long?"
"Have to ask Eleanor. It's her affair. By Jove, old boy, you _are_ a
wonder. I wish I could keep it off around here the way you do."
The little man drew himself up, expanded his chest, and bravely
flourished a smile of acknowledgment. This faded into a look of hostile
curiosity, discreetly veiled, as Mrs. Laithe and the two young men came
in from the drawing room.
"Time to be moving on, Governor," young Teevan remarked.
"I'm not going, my boy," the little man answered in crisp tones, with
the hint of a side look at Ewing and Mrs. Laithe. "Run on like a good
chap and make my excuses to the dear grandmother. Needn't lie, you
know. Say I chucked her theater party at the last moment because the
places are stuffy. Say that I loathe plush and those crumpy little
boxes where one sees nothing but the gas fellow in a gingham jumper
yawning in the wings. Say I'm whimsical, capricious, fickle as April
zephyrs--in all but my love for her. If you're quite honest she'll
disbelieve you and guess that I'd a reason for stopping away. Run,
like a good lad, while I quench a craving for tales of adventure from
the most charming of her sex and from our young friend here--will you
pardon my oversight--Ewing?--Ah, to be sure, from Mr. Ewing---Ewing. I
must remember that. I'm a silly ass about names."
But when his son had gone the little man appeared to forget the craving
that had prompted his stay. From his stand on the hearth rug he jauntily
usurped the talk, winging his way down the world stream of gossip from
capital to capital. Circuitous, indeed, was his approach to art; an
anecdote of studio life in Paris; a criticism of Rodin, "Whitman in
marble;" the vigor of our native art impulse, only now learning to
withdraw a slavish deference from the French schools. "And you--Mr.--Ah,
yes--Ewing, to be sure--our amiable and rotund host tells me that you
are to be a warrior in this fray of brush and chisel. Bravo! You shall
show me work."
Public-domain text, read in full here on John Shaqi.
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