I know that many who will not go with me in my intellectual formularising of the truth about Christ's nature do bow to Him with unfeigned reverence. But it seems to me, I humbly confess, that there is no logical basis for such reverence except the full-toned recognition that the mystery of His self-assertion is explained by the mystery of His nature, God manifest in the flesh. I, for my part, do not see how the moral perfectness of Jesus Christ is to be saved, in view of that unmistakable strand in His teaching, unless by such admission. Rather, I feel that the recognition of it brings us face to face with the tremendous alternative, and that the people who were moved to indignation by His self-assertion because they recognised not His divine origin, and said 'This man blasphemeth'; 'This deceiver said,' have more to say in defence of their conclusion than those who bow before Him with reverence, and declare Him to be the pattern of all human perfectness, and yet falter when they are asked to join in the great confession, 'Thou are the Christ, the Son of the living God.' II. Secondly, note here our Lord's sad conception of humanity. There are, as it were, two strands running through the prophetic passage which He quotes, one in reference to Himself, one in reference to those whom He came to help. To the latter I now turn, to get our Lord's point of view when He looked upon the facts of human life. No man will ever do much for the world whose ears have not been opened to hear its sad music. An inadequate conception of its miseries is sure to lead to inadequate prescriptions for their remedy. We must bear upon our own hearts the burdens that we seek to lift off our brothers' shoulders. There is nothing about the Master's words concerning mankind more pathetic and more plain than the sad, stern, and yet pitying view which He always took concerning them and their condition. In the passage on which Jesus based His claims, as given by Luke, one of the clauses is probably not in this place genuine, for 'the healing of the brokenhearted' should be struck out of the true text. There are then four symbols employed: the poor, the captives, the blind, the bruised. And these four are representations of the result of one fell cause, and that is--sin.