To others I gave nothing at all. Not to be baffled, however, they
hastened to scrape the cork of the tube and break it into atoms. Out of
these they made themselves a frock of cork-grains, as faultless as
though they and their ancestors had always made use of this material.
The novelty of the stuff, which perhaps no Caterpillar had ever used
before, made no difference in the cut of the garment.
Finding them ready to accept any vegetable matter that was dry and
light, I next tried them with animal and mineral substances. I cut a
strip from the wing of a Great Peacock Moth, and placed two little
naked Caterpillars upon it. For a long time they both hesitated. Then
one of them resolved to use the strange carpet. Before the day was over
he had clothed himself in grey velvet made of the Great Peacock’s
scales.
I next took some soft, flaky stones, such as will break at the merest
touch into atoms nearly as fine as the dust on a Butterfly’s wing. On a
bed of this powdery stuff, which glittered like steel filings, I placed
four Caterpillars in need of clothes. One, and one alone, decided to
dress himself. His metallic garment, from which the light drew flashes
of every colour of the rainbow, was very rich and sumptuous, but
mightily heavy and cumbrous. Walking became laborious under that load
of metal. Even so must a Byzantine Emperor have walked at ceremonies of
State.
In cases of necessity, then, the young Caterpillar does not shrink from
acts of sheer madness. So urgent is his need to clothe himself that he
will weave mineral matter rather than go naked. Food means less to him
than clothes. If I make him fast for a couple of days, and then, having
robbed him of his garment, place him on his favourite food, a leaf of
very hairy hawkweed, he will make himself a new coat before satisfying
his hunger.
This devotion to dress is due, not to any special sensitiveness to
cold, but to the young Caterpillar’s foresight. Other Caterpillars take
shelter among the leaves, in underground cells, or in the cracked bark
of trees, but the Psyche spends his winter exposed to the weather. He
therefore prepares himself, from his birth, for the perils of the cold
season.
As soon as he is threatened with the rains of autumn he begins to work
upon his outer case. It is very rough at first. Straws of uneven length
and bits of dry leaves are fastened, with no attempt at order, behind
the neck of the sack or undergarment, which must remain flexible so as
to allow the Caterpillar to bend freely in every direction. These
untidy first logs of the outer case will not interfere with the final
regularity of the building: they will be pushed back and driven out as
the sack grows longer in front.
Public-domain text, read in full here on John Shaqi.
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