Fern Leaves from Fanny's Port-folio. Second Series — John Shaqi
Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
General
Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
“Will” is in the city. Will sits upon the steps of the New York City
Hall, reading a penny paper: he has begged it from a good-natured
newsboy, who has also shared with him a huge slice of gingerbread.
As Will’s eye glances over the sheet, it falls upon the following
paragraph:
“PROSPECTUS OF THE WEEKLY CHRONICLE.
“The Weekly Chronicle is a paper founded on the demands of the
age for a first-class journal. It soars above all sectional and
personal considerations, and fearlessly proffers its feeble aid, in
developing the natural resources of the country, fostering the genius
of the people, rewarding meritorious effort in every department
of art, exalting virtue, however humble, and confounding vice,
however powerful. The editor and proprietor of the Chronicle is Mr.
Philanthropas Howard; office, No. 199 Cloud-street.
“Boy wanted immediately at the above office: one from the country
would be preferred.”
* * * * *
Will threw down the paper, and started to his feet: “199
Cloud-street?” He asked orange-women; he asked image-boys; he asked
merchants; he asked clerks; he asked lawyers; he asked clients; he
investigated cellars; he explored attics; he traveled through parks,
and through alleys; till finally, he coaxed a graceless, bare-footed
urchin to shew him the way.
Mr. John Howard, editor and proprietor of the Weekly Chronicle, went
upon the principle of paying nothing where nothing would pay, and
paying as little as possible where he could get something for next to
nothing. It was a fixed principle and confirmed practice with him,
never to pay anything for contributions to the Chronicle. He considered
that the great advantage that would accrue to an author from having
his or her articles in his paper, would be ample remuneration. At
the moment Will’s eye first fell upon him, he was reposing in a huge
leathern arm chair, in the corner of his sanctum. His proportions very
much resembled an apoplectic bag of flour, surmounted by an apple.
His head was ornamented with sparse spires of fiery red hair; on his
cheeks, a pair of cream-colored whiskers were feebly struggling into
life; and sundry tufts of the same color, under his chin, shadowed
forth his editorial sympathy with the recent “Beard Movement.”
Before him was a table, of doubtful hue and architecture, laden with
manuscripts, accepted, rejected, and under consideration; letters of
all sizes, opened and unopened, prepaid and unpaid, saucy and silly,
defiant and deprecatory. There was also an inkstand, crusted with
dirt and cobwebs; a broken paper weight, pinning down some bad money,
paid by distant subscribers; a camphene lamp, with a broken pedestal,
propped up by a Directory on one side, and Walker’s Dictionary on
the other; sundry stumps of cigars; a half-eaten apple; a rind of an
orange; a lady’s glove, and a box of bilious pills.
Public-domain text, read in full here on John Shaqi.
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