A sealing-wax impression is the simplest and best kind of cast, and the finger need not be burnt in making it. The plan is to make a considerable pool of flaming sealing-wax, stirring it well with the still unmelted piece of the stick, while it is burning. Then blow out the flame and wait a little, until the upper layer has cooled. Sealing-wax that has been well aflame takes a long time to harden thoroughly after it has parted with nearly all its heat. By selecting the proper moment after blowing out the flame, the wax will be cool enough for the finger to press it without discomfort, and it will still be sufficiently soft to take a sharp impression. Dentist's wax, which is far less brittle, is easily worked, and takes impressions that are nearly as sharp as those of sealing-wax; it has to be well heated and kneaded, then plunged for a moment in cold water to chill the surface, and immediately impressed. Gutta-percha can also be used. The most delicate of all impressions is that left upon a thick clot of varnish, which has been exposed to the air long enough for a thin film to have formed over it. The impression is transient, but lingers sufficiently to be easily photographed. It happened, oddly enough, that a few days after I had noticed this effect, and had been experimenting upon it, I heard an interesting memoir "On the Minute Structure of Striped Muscle, with special allusion to a new method of investigation by means of 'Impressions' stamped in Collodion," submitted to the Royal Society by Dr. John Berry Haycraft, in which an analogous method was used to obtain impressions of delicate microscopic structures. _Photographs_ are valuable in themselves, and the negatives serve for subsequent _enlargements_. They are unquestionably accurate, and the labour of making them being mechanical, may be delegated. If the print be in printer's ink on white paper, the process is straightforward, first of obtaining a negative and afterwards photo-prints from it. The importance of the paper or card used to receive the finger print being quite white, has already been pointed out. An imprint on white crockery-ware is beautifully clear. Some of the photographs may be advantageously printed by the ferro-prussiate process. The paper used for it does not curl when dry, its texture is good for writing on, and the blue colour of the print makes handwriting clearly legible, whether it be in ink or in pencil.