Flappers and PhilosophersFitzgerald, F. Scott (Francis Scott)
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Flappers and Philosophers
Fitzgerald, F. Scott (Francis Scott)
Fiction; Short stories, American
And in that instant it was as if this were not, after all,
Donald's hour except in so far as he was a marker in the
insidious contest that had gone on in sudden surges and long,
listless interludes between Evylyn and this cold, malignant thing
of beauty, a gift of enmity from a man whose face she had long
since forgotten. With its massive, brooding passivity it lay
there in the centre of her house as it had lain for years,
throwing out the ice-like beams of a thousand eyes, perverse
glitterings merging each into each, never aging, never changing.
Evylyn sat down on the edge of the table and stared at it
fascinated. It seemed to be smiling now, a very cruel smile, as
if to say:
"You see, this time I didn't have to hurt you directly. I didn't
bother. You know it was I who took your son away. You know how
cold I am and how hard and how beautiful, because once you were
just as cold and hard and beautiful."
The bowl seemed suddenly to turn itself over and then to distend
and swell until it became a great canopy that glittered and
trembled over the room, over the house, and, as the walls melted
slowly into mist, Evylyn saw that it was still moving out, out
and far away from her, shutting off far horizons and suns and
moons and stars except as inky blots seen faintly through it. And
under it walked all the people, and the light that came through
to them was refracted and twisted until shadow seamed light and
light seemed shadow--until the whole panoply of the world became
changed and distorted under the twinkling heaven of
the bowl.
Then there came a far-away, booming voice like a low, clear bell.
It came from the centre of the bowl and down the great sides to
the ground and then bounced toward her eagerly.
"You see, I am fate," it shouted, "and stronger than your puny
plans; and I am how-things-turn-out and I am different from your
little dreams, and I am the flight of time and the end of beauty
and unfulfilled desire; all the accidents and imperceptions and
the little minutes that shape the crucial hours are mine. I am
the exception that proves no rules, the limits of your control,
the condiment in the dish of life."
The booming sound stopped; the echoes rolled away over the wide
land to the edge of the bowl that bounded the world and up the
great sides and back to the centre where they hummed for a moment
and died. Then the great walls began slowly to bear down upon
her, growing smaller and smaller, coming closer and closer as if
to crush her; and as she clinched her hands and waited for the
swift bruise of the cold glass, the bowl gave a sudden wrench and
turned over--and lay there on the side-board, shining and
inscrutable, reflecting in a hundred prisms, myriad, many-colored
glints and gleams and crossings and interlaces of light.
Public-domain text, read in full here on John Shaqi.
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