Flappers and PhilosophersFitzgerald, F. Scott (Francis Scott)
General
Flappers and Philosophers
Fitzgerald, F. Scott (Francis Scott)
Fiction; Short stories, American
But, after all, this critical circle is not close enough to the
stage to see the actors' faces and catch the subtler byplay. It
can only frown and lean, ask questions and make satisfactory
deductions from its set of postulates, such as the one which
states that every young man with a large income leads the life of
a hunted partridge. It never really appreciates the drama of the
shifting, semi-cruel world of adolescence. No; boxes,
orchestra-circle, principals, and chorus be represented by the
medley of faces and voices that sway to the plaintive African
rhythm of Dyer's dance orchestra.
From sixteen-year-old Otis Ormonde, who has two more years at
Hill School, to G. Reece Stoddard, over whose bureau at home
hangs a Harvard law diploma; from little Madeleine Hogue, whose
hair still feels strange and uncomfortable on top of her head, to
Bessie MacRae, who has been the life of the party a little too
long--more than ten years--the medley is not only the centre of
the stage but contains the only people capable of getting an
unobstructed view of it.
With a flourish and a bang the music stops. The couples exchange
artificial, effortless smiles, facetiously repeat "LA-de-DA-DA
dum-DUM," and then the clatter of young feminine voices soars
over the burst of clapping.
A few disappointed stags caught in midfloor as they had been
about to cut in subsided listlessly back to the walls, because
this was not like the riotous Christmas dances--these summer
hops were considered just pleasantly warm and exciting, where
even the younger marrieds rose and performed ancient waltzes and
terrifying fox trots to the tolerant amusement of their younger
brothers and sisters.
Warren McIntyre, who casually attended Yale, being one of the
unfortunate stags, felt in his dinner-coat pocket for a cigarette
and strolled out onto the wide, semidark veranda, where couples
were scattered at tables, filling the lantern-hung night with
vague words and hazy laughter. He nodded here and there at the
less absorbed and as he passed each couple some half-forgotten
fragment of a story played in his mind, for it was not a large
city and every one was Who's Who to every one else's past. There,
for example, were Jim Strain and Ethel Demorest, who had been
privately engaged for three years. Every one knew that as soon as
Jim managed to hold a job for more than two months she would
marry him. Yet how bored they both looked, and how wearily Ethel
regarded Jim sometimes, as if she wondered why she had trained
the vines of her affection on such a wind-shaken poplar.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account