Floating Fancies among the Weird and the Occult — John Shaqi
Floating Fancies among the Weird and the OccultHolmes, Clara H.
Science
Floating Fancies among the Weird and the Occult
Holmes, Clara H.
American fiction -- 19th century; Paranormal fiction; Short stories, American
“Andalusia watched his every movement; that night when she fired the
pistol she thought that she had found her rival, and had she been less
angry would have killed her; her emotion, only, rendering her hand
unsteady.
“I followed her and appointed a place of meeting; at first she would not
listen, but finally consented; saying that old Martini Sistine was with
her, hidden in the shrubbery. I was rejoiced, for old Martini knows much
that is hidden from all the rest of the world; she can talk familiarly
with those who have departed this life; and to her the stars are as an
open book. Martini knew that I spoke the truth, and in trying to
convince Andalusia she also explained much which I had been unable to
grasp. Andalusia at first would hear nothing of it, but cried
scornfully, touching the fair hair as though it were some vile thing,
and prodding my flushed cheek viciously:
“‘_This_ is not my Antoni!’ Then said Martini severely:
“Daughter of the South, born in the wild wood among nature’s sweetest
mysteries, do you doubt the first one which touches you? For shame! If
you saw a branch lopped off the tree under which you sat, would you cry
out that this was no longer the same tree? If you should lose your fair
right arm, are you not still Andalusia? If you were bereft of both limbs
and arms, and nothing but the disfigured trunk remained, you would still
be Andalusia. It is the within, which is in reality the personality.
Your Antoni is the same, but he is unfortunate in having to bear this
effeminate body; have you no pity for his misfortune?”
“Then my Andalusia wept on my neck, and begged forgiveness for all her
unkind words; and though she cried continually: ‘Poor Antoni!’ I was so
happy that for a time I forgot all about my hateful body.
“We are going to our own land; Martini, my Andalusia and I. Wilbur can
take the cool-blooded Edith and welcome; their placid imitation of love
is like ice to fire as compared to the glorious tumult of passion which
swells in the hearts of the unfettered children of the free wild wood.
“I have taken this money and the diamonds, yet—I am no thief! That
portion of myself, known to the sight as Arthur Lombard—the hateful
body, thrust upon me without my consent—I am compelled to retain against
my will; that body has a right to maintenance, and I have taken of
Arthur Lombard’s money to care for it. I have left the balance to the
soul of Arthur Lombard; and as a last request, I ask him to be kind to
the body of poor, cheated Antoni Petronelli.”
LIMITATIONS.
Public-domain text, read in full here on John Shaqi.
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