But broken bones hurt even when they are knitting nicely, and the
Highland lad cannot sleep; he lies tossing about on his narrow cot,
gritting his teeth now and then as the pain bites, but still a happy and
a thankful man. He stares about him through the gloom, trying to see who
is awake and who asleep. But now he starts, for silently the door opens,
and a tiny ray of light, like a golden finger, falls across his bed. A
figure enters and closes the door softly; the figure of a woman, tall
and slender, dressed in black, with white cap and apron. In her hand she
carries a small shaded lamp. At sight of her the sick lad's eyes grow
bright; he raises his sound arm and straightens the blanket, then waits
in eager patience. Slowly the Lady with the Lamp draws near, stopping
beside each cot, listening to the breathing and noting the color of the
sleepers, whispering a word of cheer and encouragement to those who
wake. Now she stands beside his bed, and her radiant smile is brighter,
he thinks, than lamplight or moonlight. A few words in the low, musical
voice, a pat to the bedclothes, a friendly nod, and she passes on to the
next cot. As she goes, her shadow, hardly more noiseless than her
footstep, falls across the sick man's pillow; he turns and kisses it,
and then falls happily asleep.
So she comes and passes, like a light; and so her very shadow is
blessed, and shall be blessed so long as memory endures.
CHAPTER XII.
WINTER.
O the long and dreary winter![7]
O the cold and cruel winter!
Ever thicker, thicker, thicker
Froze the ice on lake and river,
Ever deeper, deeper, deeper
Fell the snow o'er all the landscape,
Fell the covering snow, and drifted
Through the forest, round the village.
* * * * *
O the famine and the fever!
O the wasting of the famine!
O the blasting of the fever!
O the wailing of the children!
O the anguish of the women!
All the earth was sick and famished;
Hungry was the air around them,
Hungry was the sky above them,
And the hungry stars in heaven
Like the eyes of wolves glared at them!
Public-domain text, read in full here on John Shaqi.
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