In 1447 the Cavalcanti sold Villa Bellosguardo to Tommaso, son of Gino
Nerii de’ Capponi, for 1500 golden florins. After in vain trying on
a hill lacking both springs and wells to make lakes and build brick
kilns, “which have not turned out what I wished and have cost me fifty
florins more than I encashed,” as Tommaso writes to his brother, he
soon sold the place again to its old owners the Cavalcanti. Whether
they destroyed the villa of their own free will in 1530 when Florence
was besieged, or whether the Prince of Orange, or the German commander,
Felix von Werdenberg, wilfully made a target of it, is unknown, but in
some of the chronicles of that time it is mentioned as being in ruins.
Cosimo I confiscated Bellosguardo with other property of the
Cavalcanti in 1559 and gave it to one of his servants for life. Eight
years afterwards it reverted to the Medici and was bought from them
by Lionardo Marinozzi, another of Cosimo’s favourites. His son sold
it in 1583 to Girolamo di Antonio Michelozzi, whose descendants still
own it. It was then described as “una torre ad uso di palazzo,” which
would seem as though Lionardo had added the magnificent tower on to
an already existing villa instead of building, as was usually done,
a dwelling-house round an old tower. It has been immortalised by Mrs
Browning as—
“... a tower that keeps
A post of double observation o’er
The valley of the Arno (holding as a hand
The outspread city) straight toward Fiesole
And Mount Morello and the setting sun.”
The front of the villa is ornamented with _grafite_, and over the
front door is a Pietà by Francavilla, a Dutch pupil of Giovan Bologna,
while the large entrance hall contains damaged frescoes said to be
by Poccetti. The fine old place is now inhabited by Lady Paget, who
has converted an orangery into a most picturesque and delightful
sitting-room, and restored Villa Bellosguardo to its pristine
splendour. All parts of the town can be seen from the terrace; only the
Arno lies hidden between two endless rows of palaces, until it reaches
the long line of trees in the Cascine, whence its course can be traced
for many miles along the valley. From here Florence seems to be closely
set between olive-clothed hills, with villas spreading like endless
chains as far as the eye can reach, up to the summits above Fiesole,
on to the slopes beyond Prato, and behind us towards the Val di Pesa,
where the pine woods stand like sentinels against the sky. Straight
in front, towards the north, are the heights of Monte Senario, three
serrated peaks black even in the sunlight, with the Servite convent
lying like a streak of snow among the fir woods. On clear days the
point of the Falterona, where the Arno takes its rise, can be seen to
the right of the long hill of Vallombrosa on the east.
Public-domain text, read in full here on John Shaqi.
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