Folklore as an Historical ScienceGomme, George Laurence
History
Folklore as an Historical Science
Gomme, George Laurence
Folklore
"The town is a corporation town, and tho' it is very
poor now to what it was formerly, yet it has a ... who
is commonly some poor man, they haveing no rich ones
amongst them. About two days before Michilmass day the
sayd ... being arrayed in his gown of state he mounts
upon horseback, and has his attendants with him, and
the macebear[er] carrying the mace before him, with
two fidlers and a base viol. Thus marching in state
(as bigg as the lord mare of London) all along the
shore side, they make many halts, and the cryer crys
thus with a strange sort of a singing voyce, high and
low:--
"'Whay! Whay! Whay!
Pay your gavelage, ha!
Between this and Michaelmas Day,
Or you'll be fined I, say!'
"Then the fiddlers begins to dance, and caper and
plays, fit to make one burst with laughter that sees
and hears them. Then they go on again and crys as
before, with the greatest majesty and gravity
immaginable, none of this comical crew being seen so
much as to smile all the time, when as spectators are
almost bursten with laughing. This is the true origin
of the proverb, for this custome of gavelage is a
certain tribute that every house pays to the ... when
he is pleased to call for it, and he gives not above
one day warning, and may call for it when he
pleases."[140]
Rhyming tenures have been frequently noted but never understood. They
occur in many parts of the country. The tithingman of Combe Keynes, in
Dorsetshire, is obliged to do suit at Winforth Court, and after
repeating the following incoherent lines, pays threepence and goes
away without saying another word:--
"With my white rod
And I am a fourth post
That three pence makes three
God bless the King, and the lord of the franchise
Our weights and our measures are lawful and true
Good morrow Mr. Steward I have no more to say to you."[141]
It is hardly necessary to quote more examples. They are not unknown to
the historian, but because they are in rhyme they have been hastily
assumed to be spurious or even burlesque.[142] But the evidence of a
rhyming formula is the opposite to this. It is evidence of their
genuineness, and if some of the words appear to be nonsensical it is
due to the fact that the sense of the old formula has been
misunderstood, and has then become gradually altered.
Public-domain text, read in full here on John Shaqi.
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