And then one night something did happen. He woke suddenly and heard in the distance beyond the deep breathing of twenty-four sleepers, a clock strike three. He turned and lay on his back; he was very sleepy and he did not know why he had wakened. The long high room was dark, but directly opposite him beyond the end of his bed, the light seemed to shine full on to the face of his looking-glass. As he sat up in bed and looked at it seemed to stand out like a sheet of silver. He gripped the sides of the bed and stared. He rubbed his eyes. He could see no reflection in the glass at all but only this shining expanse, and then, as he looked at it, that too seemed to pass away, and in its place at first confusedly, like smoke across the face of the glass, and then, settling into shape and form, there appeared the interior of a room--a small low-roofed dark room. There was a large fire burning, and in front of it, kneeling on the floor, with their backs to Peter, were two men, and they were thrusting papers into the fire. The glass seemed to stretch and broaden out so that the whole of the room was visible, and suddenly Peter saw a little window high in the top of the wall, and behind that window was a face that watched the two men. He wanted to warn them--he suddenly cried out aloud “Look out!” and with that he was wide awake and saw that his glass could be only dimly discerned in the grey of the advancing morning--and yet he had heard that clock strike three!... So much for confusing dreams, and so vivid was it that in the morning he remembered the face at the window and knew that he would recognise it again if he saw it. II But out of the three years there stand his relations with Cards and young Galleon, a symbol of so much that was to come to him later. As he grew in position in the school Cards saw him continually. Cards undoubtedly admired his stocky, determined strength, his grey eyes, his brusque speech, his ability at games. He did not pretend also that he was not flattered by Peter's attentions. Curiously, for so young a boy, he had a satirical irony that showed him the world very much in the light that he was always afterwards to see it. To Cards the world was a show, a Vanity Fair--a place where manner, _savoir-faire_, dignity, humour and ease, mattered everything; he saw also that there was nothing by which people are so easily deceived. Peter had none of these things; he would always be rough, he would never be elegant, and afterwards, in life, Cards did not suppose that he would see very much of Peter, their lives would be along different paths; but now, more genuinely perhaps than ever again, Cards was to admire that honest bedrock of feeling, of sentiment, of criticism, of love and anger, that gave Peter his immense value.