Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
MOST of the documents of early mediaeval times
which remain to us containing ink in fairly good condition,
like charters, protocols, bulls, wills, diplomas,
and the like, were written or engrossed with "Indian"
ink, in which respect we of the present century continue
to follow such established precedent when preparing
important written instruments. It is not
remarkable, therefore, that the black inks of the
seventh, eighth, ninth and tenth centuries preserve
their blackness so much better than many belonging
to succeeding ages, including a new class of inks which
could not stand the test of time.
During the twelfth and first years of the thirteenth
centuries there were bitter controversies among Talmudic
(Hebrew) scholars, relative to the character of
the ink to be employed in the preparation of ritualistic
writings. Nice distinctions were drawn as to the
real meaning of the word deyo as understood by the
Jews of the western part of the world, and the Arabic
word alchiber, as then understood nearer Palestine
and the other eastern countries.
The French Jews were using "tusche" (typical of
the "Indian" ink), while the Germans were employing
"pomegranate" and "gall" inks. Representatives
from interested religious Jewish centers came
together and resolved to submit their differences for
final adjustment to Maimonides, born in Spain, A. D.
1130 , and died A. D. 1204--the then greatest living
Hebrew theologian and authority on biblical and
rabbinical laws. Discarding all side issues, their differences
were seemingly incorporated into three questions
and thus propounded to him:
1. Is the Talmudic deyo identical with alchiber?
2. Of what ingredient should the Talmudic deyo
consist, if it is not the same as alchiber?
3. Is alchiber to be understood as relating to the
gall-apple and chalkanthum (blue vitriol)?
To the first and third questions Maimonides declared
that deyo and alchiber were not identical;
and for the reasons that the Talmud declares deyo to
be a writing material which does not remain on the
surface on which it is placed and to be easily effaced.
On the other hand alchiber contains gum and other
things which causes it to adhere to the writing surface.
To the second question he affirmed that the Talmud
distinguishes a double kind of deyo, one containing
little or no gum and being a fluid, and the other referring
to "pulverized coal of the vine, soot from
burning olive oil, tar, rosin and honey, pressed into
plates to be dissolved in water when wanted for use."
Furthermore, while the Talmud excludes the use of
certain inks of which iron vitriol was one, it does not
exclude atramentum, (chalkanthum, copper vitriol),
because the Talmud never speaks of it. He insisted
that the Talmud requires a dry ink (deyo).
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