Domestic fiction; Families -- Juvenile fiction; Historical fiction; New York (N.Y.) -- Juvenile fiction; Sisters -- Juvenile fiction
“You don’t suppose she’d care for a paper doll?” suggested Maud. “Of
course I know she’s a grown-up lady, but if she has to sit still in a
chair all the time, she might enjoy cutting out paper dresses. I’d take
her my prettiest one if you think she’d like it.”
Dulcie and Molly laughed, and Daisy said kindly:
“I’m afraid a paper doll wouldn’t do, Maudie, though it was very sweet
of you to think of it. We’ll have to go without a present this time,
but perhaps we can make her a book-mark, or something like that, before
we go again.”
That question being settled, there seemed nothing further to wait for,
so, with fast-beating hearts, the four little girls set forth on their
adventure. At the trunk-room door Maud drew back.
“I didn’t know it was going to be so dark,” she protested. “I don’t
like dark places.”
“Nonsense,” said Dulcie, impatiently. “Keep hold of Daisy’s hand, and
you won’t be scared.” And, as the eldest member of the party, Dulcie
advanced firmly into the trunk-room.
It required some fumbling to discover the knob of the mysterious door,
as the only light was the dim reflection from a single gas-jet in the
hall, but when found it turned easily, and the next moment they had
plunged into the still greater darkness of the housemaid’s closet next
door.
Molly tumbled over a step-ladder, and Maud uttered a suppressed scream,
but Dulcie pressed on steadily ahead.
“This is the way out,” she announced in an excited whisper; “I feel
the door. Oh, I hope it isn’t locked. No, it’s all right; here’s the
handle. Oh!” And, with a great gasp, Dulcie stepped out into the
lighted hall of the boarding-house.
“That’s her room,” whispered Molly, pointing to one of the closed
doors. “Shall I knock, or will you, Dulcie?”
“You’d better,” said Dulcie. “You know her, and we don’t. Be sure not
to forget to introduce us.”
Molly stepped forward, and for the second time, tapped softly at the
“singing lady’s” door. There was a moment’s pause, and then the sweet
voice they had all so often heard singing the old-fashioned ballads
they loved, called a cheerful “Come in,” and Molly turned the handle.
Miss Polly was in her wheel-chair, which had been pushed under the
rather high chandelier in the centre of the room. She had evidently
been reading, but at the children’s entrance she laid down her book,
and with a little cry of pleasure, held out both hands in greeting.
“Why, it’s my little neighbors from next door,” she said joyfully. “Oh,
but I am glad to see you, dears. And did you all come through the door
in the wall?”
“Yes, we did,” said Molly; and, mindful of Dulcie’s instruction, she
added, primly, “These are my three sisters; Dulcie, Daisy, and Maud.
We came to thank you for being so kind about singing while Maud was in
bed, with her sore throat.”
Public-domain text, read in full here on John Shaqi.
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