Four Years in France: or, Narrative of an English Family's Residence there during that Period; Preceded by some Account of the Conversion of the Author to the Catholic FaithBeste, Henry Digby
Religion
Four Years in France: or, Narrative of an English Family's Residence there during that Period; Preceded by some Account of the Conversion of the Author to the Catholic Faith
Beste, Henry Digby
France -- Description and travel
The building which was to have been a monument dedicated to the grand
army, is converted into a church, for which, by its form, it was well
adapted. But, instead of this edifice, a monument has been raised to the
glory of the French warriors, _ære perennius_;--a work in twenty-six
volumes, by a society of military men and men of letters: it is entitled
"Victoires et Conquêtes" in very large capitals, "désastres et revers"
in very small capitals, of the French armies, from 1792 to 1815. It is
composed in the spirit of the liberal party, but with great moderation:
it speaks with constant respect of the royal family of France, with
unreserved freedom of Bonaparte, and with severe censure of the faults
of the republican government: its hatred of England is more than
patriotic,--plus quam civilia: it is written in a very respectable
style, itself a history, and forming a collection of materials to be
embodied into future, general, or partial histories of the revolution.
Even "the Great Unknown" himself, than whom no one has a better right to
disprove the assertion of Pindar, that fable delights more than truth,
since so much of what is delightful in fable is of his own creation, and
every one may do what he wills with his own;--even he, who may dispute
with Cervantes, Shakspeare, and Ariosto, the title of "the greatest liar
that ever lived,"--may have recourse to more than the latter half of
these twenty-six volumes, in the composition of that story, in which
every thing shall be true, yet every thing shall be astonishing. It is
superfluous to wish him success: of that he is assured, both by his
subject, and by the novel manner in which it will be handled; but I wish
he would take the trouble of once revising his manuscript before
impression, to correct the blunders of rapid composition.
I saw the model in plaister of the statue in marble, of an elephant,
which statue was to have been raised upon a high pedestal in the Place
de la Bastille: a staircase, beginning within one of the fore-legs of
the elephant, was to have led to the top of a tower on his back, from
which would have been seen all Paris and its environs: from his
proboscis was to have issued a fountain. The model, I am told, is now
broken in pieces. Perhaps this is fortunate: the elephant might in
future times have answered the purpose, if not of the Bastille, of the
bull of Phalaris: after the pleasant jests we have heard of _la petite
fenêtre nationale_,[15] and the _baptême republicain_[16],--who knows
whether the sovereign people, calling to mind the bull of Phalaris oh
the site of the Bastille, and justifying, according to custom, its own
tyranny by that of others,--might not have amused itself with the
bellowing of an elephant? Despots, of one or many heads, resemble each
other:
----facies non omnibus una,
Nee diversa tamen.
Public-domain text, read in full here on John Shaqi.
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