Free Joe and Other Georgian SketchesHarris, Joel Chandler
General
Free Joe and Other Georgian Sketches
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction
I was therefore much gratified, some time after reading Trunion's
advertisement, to receive a note from a friend who deals in real estate,
telling me that some land near the Tomlinson Place had been placed in
his hands for sale, and asking me to go to Rockville to see if the land
and the situation were all they were described to be. I lost no time in
undertaking this part of the business, for I was anxious to see how the
old place looked in the hands of strangers, and unsympathetic strangers
at that.
It is not far from Atlanta to Rockville--a day and a night--and the
journey is not fatiguing; so that a few hours after receiving my
friend's request I was sitting in the veranda of the Rockville Hotel,
observing, with some degree of wonder, the vast changes that had taken
place--the most of them for the better. There were new faces and new
enterprises all around me, and there was a bustle about the town that
must have caused queer sensations in the minds of the few old citizens
who still gathered at the post-office for the purpose of carrying on
ancient political controversies with each other.
Among the few familiar figures that attracted my attention was that of
Aunt Fountain. The old China tree in the shade of which she used to sit
had been blasted by lightning or fire; but she still had her stand
there, and she was keeping the flies and dust away with the same old
turkey-tail fan. I could see no change. If her hair was grayer, it was
covered and concealed from view by the snow-white handkerchief tied
around her head. From my place I could hear her humming a tune--the tune
I had heard her sing in precisely the same way years ago. I heard her
scolding a little boy. The gesture, the voice, the words, were the same
she had employed in trying to convince me that my room was much better
than my company, especially in the neighborhood of her cake-stand. To
see and hear her thus gave me a peculiar feeling of homesickness. I
approached and saluted her. She bowed with old-fashioned politeness, but
without looking up.
"De biggest uns, dee er ten cent," she said, pointing to her cakes; "en
de littlest, dee er fi' cent. I make um all myse'f, suh. En de beer in
dat jug--dat beer got body, suh."
"I have eaten many a one of your cakes, Aunt Fountain," said I, "and
drank many a glass of your beer; but you have forgotten me."
"My eye weak, suh, but dee ain' weak nuff fer dat." She shaded her eyes
with her fan, and looked at me. Then she rose briskly from her chair.
"De Lord he'p my soul!" she exclaimed enthusiastically. "W'y, I know you
w'en you little boy. W'at make I ain' know you w'en you big man? My eye
weak, suh, but dee ain' weak nuff fer dat. Well, suh, you mus' eat some
my ginger-cake. De Lord know you has make way wid um w'en you wuz little
boy."
The invitation was accepted, but somehow the ginger-cakes had lost their
old-time relish; in me the taste and spirit of youth were lacking.
Public-domain text, read in full here on John Shaqi.
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