English fiction -- 19th century; Short stories, English
Dead, oh! undoubtedly dead; the good knife had gone home just below
the left shoulder--no need of a second blow--a famous place, that. Yet
he was sorry too--it would have been good to have struck again, and
yet again, and--ah! that hated face! should he crush it shapeless with
his heel, staring up at him careless and proud even in death? Should
he? Should he? The Kaffir blood in him surged in waves to his heart,
the desire to mutilate and mangle his enemy smote him sore. Not with
his boot, though--no--no--leave signs--besides, too soft; only _Veldt
schoens_; no--the knife again, blade or handle--all the same. He leant
over and strained at the handle; as he strove to draw it from the
wound, the eyes of the dead man seemed to roll and fix themselves on
his. With a cry of superstitious terror he recoiled, and to his vision,
maddened by passion, weakened by physical exhaustion and starvation,
the blanched lips of the corpse moved in the old smile of cynical
mockery.
A nameless dread seized upon him--the white man in him, that had given
the nerve and passionate resolution for the steadfast fulfilment of his
vow, gave place in a moment to the unreasoning, superstitious savage.
The man’s body was dead--he knew that assuredly--but his spirit was
alive and _there_--that proud and sneering spirit that he could not
slay. He shrank back and crouched in a huddled heap against the rock,
watching with fascinated gaze the movements of his enemy.
Now, to a diseased and distorted vision moonlight plays queer tricks
with things. The tortures of the damned came upon Pietris Vanhiever,
and, greatest torture of all, he was deprived of the power of flight.
It seemed to his terror-ridden brain that the spirit through those eyes
was drawing him slowly--slowly--to the body of his victim, there to
hold him to eternity. Then a fresh horror came upon him, and the devil
of superstition turned his thoughts to the tales crooned to him by his
Kaffir mother, in the half light of the evenings, at the door of the
native hut. The tales of the spirit of the Karroo, the Great Spirit,
that comes to the souls of men whose lives and blood are spent upon
the Karroo’s breast, and gathers them to itself; the legends of the
woe and ruth that befall the living man who looks upon the gathering
of that harvest; and he shook with the cold fear that seized upon, and
paralysed, his limbs and knees. So minutes and hours went by, and the
moon dropped low behind the great rocks, and a black darkness came over
the pass of death, and ever the white upturned face held him through
the blackness in a stupor of terror, hearing nothing, seeing nothing,
save only, in those staring, shining eyes, the spirit of his enemy.
Ah--h--h, what was _that_?--at the end of the Pass, what was
that?--white, silent through the darkness--what was it? _Lieber Gott_,
what was it? Coming, white and terrible, yes, coming to the harvest.
Public-domain text, read in full here on John Shaqi.
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