French fiction -- Translations into English; Paris (France) -- Fiction
Silence and consternation. Sidonie is standing at the window on the
left, Risler at the one on the right. From there they can see the little
garden, where the darkness is gathering, and the black smoke which the
chimney emits beneath the lowering clouds. Sigismond’s window is the
first to show a light on the ground floor; the cashier trims his lamp
himself with painstaking care, and his tall shadow passes in front
of the flame and bends double behind the grating. Sidonie’s wrath is
diverted a moment by these familiar details.
Suddenly a small coupe drives into the garden and stops in front of
the door. At last some one is coming. In that pretty whirl of silk and
flowers and jet and flounces and furs, as it runs quickly up the step,
Sidonie has recognized one of the most fashionable frequenters of the
Fromont salon, the wife of a wealthy dealer in bronzes. What an honor
to receive a call from such an one! Quick, quick! the family takes
its position, Monsieur in front of the hearth, Madame in an easychair,
carelessly turning the leaves of a magazine. Wasted pose! The fair
caller did not come to see Sidonie; she has stopped at the floor below.
Ah! if Madame Georges could hear what her neighbor says of her and her
friends!
At that moment the door opens and “Mademoiselle Planus” is announced.
She is the cashier’s sister, a poor old maid, humble and modest, who
has made it her duty to make this call upon the wife of her brother’s
employer, and who is amazed at the warm welcome she receives. She is
surrounded and made much of. “How kind of you to come! Draw up to the
fire.” They overwhelm her with attentions and show great interest in
her slightest word. Honest Risler’s smiles are as warm as his thanks.
Sidonie herself displays all her fascinations, overjoyed to exhibit
herself in her glory to one who was her equal in the old days, and to
reflect that the other, in the room below, must hear that she has had
callers. So she makes as much noise as possible, moving chairs, pushing
the table around; and when the lady takes her leave, dazzled, enchanted,
bewildered, she escorts her to the landing with a great rustling of
flounces, and calls to her in a very loud voice, leaning over the rail,
that she is at home every Friday. “You understand, every Friday.”
Now it is dark. The two great lamps in the salon are lighted. In the
adjoining room they hear the servant laying the table. It is all over.
Madame Fromont Jeune will not come.
Sidonie is pale with rage.
“Just fancy, that minx can’t come up eighteen steps! No doubt Madame
thinks we’re not grand enough for her. Ah! but I’ll have my revenge.”
As she pours forth her wrath in unjust words, her voice becomes coarse,
takes on the intonations of the faubourg, an accent of the common people
which betrays the ex-apprentice of Mademoiselle Le Mire.
Risler is unlucky enough to make a remark.
“Who knows? Perhaps the child is ill.”
She turns upon him in a fury, as if she would like to bite him.
Public-domain text, read in full here on John Shaqi.
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