Man-woman relationships -- Fiction; Nature -- Fiction; Triangles (Interpersonal relations) -- Fiction; Wales -- Fiction; Women -- Fiction
Hazel shut her eyes and clasped her hands, speaking in a soft monotone
as if repeating a lesson.
'In Hunter's Spinney on midsummer night there's things moving as move
no other time; things free as was fast; things crying out as have been
a long while hurted.' She suddenly opened her eyes and went on
dramatically 'First comes the Black Huntsman, crouching low on his
horse and the horse going belly to earth. And John Meares o' the
public, he seed the red froth from his nostrils on the brakes one
morning when he was ketching pheasants. And the jeath's with him, great
hound-dogs, real as real, only no eyes, but sockets with a light behind
'em. Ne'er a one knows what they's after. If I seed 'em I'd die,' she
finished hastily, taking a large bite of cake.
'Myths are interesting,' said Edward, 'especially nature myths.'
'What's a myth, Mr. Marston?'
'An untruth, my dear,' said Mrs. Marston.
'This inna one, then! I tell you John seed the blood!'
'Tell us more.' Edward would have drunk in nonsense rhymes from her
lips.
'And there's never a one to gainsay 'em in all the dark 'oods,' Hazel
went on, 'except on Midsummer Eve.'
'Midsummer!'--Mrs. Marston's tone was gently wistful--'is the only time
I'm really warm. That is, if the weather's as it should be. But the
weather's not what it was!'
'Tell us more, Hazel!' pleaded Edward.
'What for do you want to hear, my soul?'
Edward flushed at the caressing phrase, and Mrs. Marston looked as
indignant as was possible to her physiognomy, until she realized that
it was a mere form of speech.
'Because I love--old tales.'
'Well, if so be you go there, then'--Hazel leant forward, earnest and
mysterious--'after the pack's gone you'll hear soft feet running, and
you'll see faces look out and hands waving. And gangs of folks come
galloping under the leaves, not seen clear, hastening above a bit. And
others come quick after, all with trouble on 'em. And the place is full
of whispering and rustling and voices calling a long way off. And my mam
said the trees get free that night--or else folk of the trees--creeping
and struggling out of the boles like a chicken from an egg--getting free
like lads out of school; and they go after the jeath-pack like birds
after a cuckoo. And last comes the lady of Undern Coppy, lagging and
lonesome, riding in a troop of shadows, and sobbing, "Lost--lost! Oh, my
green garden!" And they say the brake flowers on the eve of that night,
and no bird sings and no star falls.'
'What a pack of nonsense!' murmured Mrs. Marston drowsily.
'That it inna!' cried Hazel; 'it's the bloody truth!'
Mrs. Marston's drowsiness forsook her. Hazel became conscious for
tension.
'Mother!'--Edward's voice shook with suppressed laughter, although he was
indignant with Hazel's father for such a mistaken upbringing--'mother,
would you give Hazel the receipt for this splendid cake?'
Public-domain text, read in full here on John Shaqi.
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