Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
The sulphur-blue moonlight crept farther along the lattice, and
shimmered on the river as if a piece of silver foil had been crumpled
and straightened out again; and on the smoky, sagging ceiling the
shadows fluctuated, soft and enormous, whenever a head or a hand was
moved. Laura had laid aside her guitar now, and they, had drawn more
closely together, and were telling ghost-stories. Dickie Lemesurier
told one that had happened to somebody her mother knew as well as they
knew one another sitting there; and then, as Amory put aside her hair
again and began to speak, she gave a little shriek: "No--not that
_frrrightful_ one out of Myers, Amory!"... But Amory told it, and Katie
Deedes remembered the dark stairs, and said that she would never dare
to go down them.... So by and by Cosimo got up and lighted the two
candles, and the terrors receded as the flames crept up, and Laura was
persuaded to sing just one more song and then (she said) she really
must go--her people would be wondering whatever had become of her. But
Walter said that that was all right: he'd see her home. And Mr. Bielby
would go along with Katie and Dorothy, who went together, and of course
Cosimo would take Amory herself. Laura tucked the guitar with the
coloured ribbons into its case, and reluctantly they sought their hats
and coats. Amory was putting her hair up again. Cosimo took two blazing
cobs of coal from the fire, putting them out of harm's way on an iron
shovel; and as Dorothy saw her friends out and locked the door, the
cheerful glow on the ceiling could still be seen where the upper part
of the door warped inwards. They groped their way down the dark stairs,
and passed in a body up Oakley Street; and at the corner by the King's
Road they said good-night.
"We walk, I suppose?" Cosimo said to Amory.
"Rather!" said Amory.
They turned their faces towards Shepherd's Bush.
It was as they walked up Redcliffe Gardens that Amory suddenly said,
with a little sigh of regret, "Poor Dorothy!"
Cosimo nodded. He always understood so quickly; that was the wonderful
thing about Cosimo.--"You mean she was a bit out of it?"
"She only spoke about three times, and that was to Mr. Bielby."
Cosimo gave a shrug, and that was delicate of him too. He knew that it
would be a pleasure to Amory to defend a lightly disparaged friend.
Amory did defend Dorothy.
"You really underrate her, Cosimo. Of course there's that dreadful job
of hers, but she does know better really. I do hope she wasn't bored."
"Well, you can't help Dorothy's shortcomings, Amory," Cosimo remarked,
as if true artists had sorrows enough of their own without taking those
of fashion-artists on their shoulders.
"But I'm worried about her, Cosimo----"
"Of course you are," Cosimo replied promptly. "That's what I always
find so fine about you. The stronger _always_ worries about the weaker.
It seems to be a Law----"
"Do you think it is a Law?" Amory asked thoughtfully.
"Well, _isn't_ it? Just look at it, now...."
Public-domain text, read in full here on John Shaqi.
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