Band directors -- United States; Bands (Music) -- United States
Then he received his big chance. The great Sousa had heard stories
about “a trombone wizard” from the Middle West and sent for him to join
him at once. Arthur headed East with a trombone, a ticket to New York,
thirty-five cents in cash and a determination to become a “great” in
the musical world.
The first night in New York he slept on a bench in Union Square. But
the next day at Sousa’s rehearsal the tall, red-haired young man,
wearing clothes that badly needed pressing, astounded the veteran
bandsmen by his unusual mastery of the trombone.
Pryor became Sousa’s first trombone player in 1892, and the next year
played first solo with him at the Chicago Exposition. From premiere
soloist he went on to be Sousa’s assistant conductor also. A warm
friendship developed between the two musicians, and they traveled
together on three world tours in sixteen countries.
An episode that shows Pryor’s trombone magic happened at a concert at
the Enclosed Garden in Berlin. Trombonists of six German regiments
were there especially to hear him. Pryor played a selection in
which he produced his own bass accompaniment, jumping three or four
octaves between notes. The vast audience rose en masse and gave him
an unprecedented ovation. After the concert the German trombonists
approached a German-speaking member of the band and asked permission to
examine the master’s instrument. They spent several minutes looking it
over, taking it completely apart in the process. Finally they went away
grumbling, “It’s impossible. Just another Yankee trick!”
During these years Pryor was christened “the trombone king” and
in Germany he was called “the Paganini of the slide trombone.” He
estimated that he had played 10,000 solos while he was with Sousa.
Pryor’s association with Sousa ended in 1902. Samuel D. Pryor had
recently died, and Arthur took over the band which his father had
started one year before Arthur’s birth. With the reorganized band, now
made up of some of America’s most talented musicians, Arthur Pryor
appeared at the Majestic Theater in New York on November 15, 1903, for
his band’s premiere concert.
For the next thirty years Pryor’s band was an internationally known
American institution. Critics were lavish in their praise of this
group’s simple but original and telling melody. The Pryor organization
played at Asbury Park, New Jersey, for nineteen successive summers.
From 1904 to 1909 it made six coast-to-coast tours; and for ten
straight winters up to 1926, it played at the Royal Palm Park in Miami,
Florida. It appeared for ten spring seasons at Willow Grove Park,
Philadelphia, Pennsylvania, and at expositions, state fairs and many
public conventions.
Besides, Pryor led his band in various theater and radio engagements,
the latter sponsored by General Motors, General Electric, Goodyear Tire
and other companies. One popular broadcast, known as the _Schradertown
Band_ carried two comics, Gus and Louis, so-called proprietors of the
Schradertown Garage.
Public-domain text, read in full here on John Shaqi.
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