A patent has since been obtained by Messrs. Napier and Rankine, for improvements in the air engine, which they anticipated would remove the objections that have been raised to the engines of Stirling and Ericsson. The heating surface has been greatly increased by employing tubes; and other defects in the former engines, to which their want of complete success is attributed, have been remedied, so that Mr. Rankine, in his description of the improvements at the meeting of the British Association at Liverpool, confidently anticipated to effect a great saving of heating power, combined with the other advantages of the air engine. He estimated the consumption of fuel by a theoretically perfect air engine on Mr. Stirling's principle at 0·37 lbs. per horse power per hour; whilst a theoretically perfect steam engine would consume 1·86 lbs. The actual average consumption of a steam engine is, however, 4 lbs. of fuel per horse power per hour, and the actual consumption of Stirling's engine is stated by Mr. Rankine to have been 2·20 lbs, and that of Ericsson's 2·80 lbs. It appears from this statement, therefore, that the air engines of Messrs. Stirling and Ericsson are superior in point of economy of fuel to steam engines; and if Mr. Rankine's anticipations of the superiority of his air engine be realized, it will effect still greater economy. In Messrs. Napier and Rankine's engine, the air is compressed before expansion, so that the size of the cylinders may be reduced to even smaller dimensions than the cylinders of steam engines of equal power. PHOTOGRAPHY. The power we now possess of fixing the transient impression of the rays of light, and of retaining the beautiful images of the camera obscura, is perhaps the most astonishing of the present age of wonders. Effects similar to those of the electric telegraph, of steam navigation, of dissolving views, and of other wondrous realizations of inventive genius, had been anticipated in growing tales of Eastern romance centuries ago; but the most fanciful imagination had not conceived the possibility of making Nature her own artist, and of producing, in the twinkling of an eye, a permanent representation of all the objects comprehended within the range of vision. Such an idea could scarcely have occurred until after the invention of the camera obscura; but when looking at the beautiful pictures focused on the screen of that instrument, it became an object of longing desire to fix them there.