Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
The world's history has hardly a more picturesque and striking
spectacle, a period more fraught with the working of powerful forces,
than that exhibited by French society in the latter part of Louis
XV.'s reign. We see a court rotten to the core with indulgence in
every form of sensuality and vice, yet glittering with the veneer of a
social polish which made it the admiration of the world. A dissolute
king was ruled by a succession of mistresses, and all the courtiers
vied in emulating the vice and extravagance of their master. Yet in
this foul compost-heap art and literature flourished with a tropical
luxuriance. Voltaire was at the height of his splendid career, the
most brilliant wit and philosopher of his age. The lightnings of his
mockery attacked with an incessant play the social, political, and
religious shams of the period. People of all classes, under the
influence of his unsparing satire, were learning to see with clear
eyes what an utterly artificial and polluted age they lived in, and
the cement which bound society in a compact whole was fast melting
under this powerful solvent.
Rousseau, with his romantic philosophy and eloquence, had planted his
new ideas deep in the hearts of his contemporaries, weary with the
artifice and the corruption of a time which had exhausted itself and
had nothing to promise under the old social _régime_. The ideals
uplifted in the _Nouvelle Héloïse_ and the _Confessions_ awakened
men's minds with a great rebound to the charms of Nature, simplicity,
and a social order untrammelled by rules or conventions. The eloquence
with which these theories were propounded carried the French people by
storm, and Rousseau was a demigod at whose shrine worshipped alike
duchess and peasant. The Encyclopædists stimulated the ferment by
their literary enthusiasm, and the heartiness with which they
co-operated with the whole current of revolutionary thought.
The very atmosphere was reeking with the prophecy of imminent change.
Versailles itself did not escape the contagion. Courtiers and
aristocrats, in worshipping the beautiful ideals set up by the new
school, which were as far removed as possible from their own effete
civilisation, did not realise that they were playing with the fire
which was to burn out the whole social edifice of France with such a
terrible conflagration; for, back and beneath all this, there was a
people groaning under long centuries of accumulated wrong, in whose
imbruted hearts the theories applauded by their oppressors with a sort
of _doctrinaire_ delight were working with a fatal fever.
III.
Public-domain text, read in full here on John Shaqi.
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