Great Porter Square: A Mystery. v. 2Farjeon, B. L. (Benjamin Leopold)
General
Great Porter Square: A Mystery. v. 2
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; Fiction
I observed her with the closest attention. Not a word, not a tone, not a
gesture, escaped me; and she, every now and then, apparently unconscious
of what was in my mind, addressed me and drew me into conversation in
the most artless manner. She demanded attention from me with the usual
licence of beauty, and later on in the evening my father, linking his
arm in mine, said,
"My mind is relieved of a great anxiety. I am glad you like Lydia; she
is delighted with you, and says she cannot look upon you with a mother's
eyes. She will be your sister, she says, and the best friend you have in
the world. Our home will once more be happy, as in your mother's days."
I slept but little during the night, and the following day and for days
afterwards devoted myself to the task of confirming or destroying the
horrible suspicion which haunted me. I saw enough to convince me, but I
would make assurance doubly sure, and I laid a trap for her. I had in
my possession a photograph of Sydney, admirably executed and handsomely
framed, and I determined to bring it before her notice suddenly, and
when she supposed herself to be alone. Winter was drawing near, and the
weather was chilly. There were fires in every room. We were to go to
the theatre, she, my father, and I. Dressing quickly I went into our
ordinary sitting-room, where a large fire was burning. I turned the
gas low, placed the photograph on the table so that it was likely to
attract observation, and threw myself into an arm chair in a corner
of the room which was in deep shadow. I heard the woman's step upon
the stairs, and presently she entered the room, and stood by the
table, fastening a glove. While thus employed, her eyes fell upon the
photograph. I could not see the expression on her face, but I saw her
take the picture in her hand and look at it for a moment; then she
stepped swiftly to the fireplace, and kneeling down, gazed intently at
the photograph. For quite two minutes did she so kneel and gaze upon the
picture, without stirring. I rose from my chair, and turned up the gas.
She started to her feet, and confronted me; her face was white, her eyes
were wild.
"You are interested in that picture," I said; "you recognise it."
The colour returned to her cheeks--it was as though she willed it--her
eyes became calm.
"How should I recognise it?" she asked, in a measured tone. "It is the
face of a gentleman I have never seen."
"It is the face of my friend, my dear friend, Sydney Campbell," I
replied, sternly, "who was slain by a heartless, wicked woman. I have
not told you his story yet, but perhaps you would scarcely care to hear
it."
Her quick ears had caught the sound of my father's footsteps. She went
to the door, and drew him in with a caressing motion which brought a
look of tenderness into his eyes. There was something of triumph in her
voice--triumph intended only for my understanding--as she said to her
husband,
Public-domain text, read in full here on John Shaqi.
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