Gutenberg, and the Art of PrintingPearson, Emily C. (Emily Clemens)
History
Gutenberg, and the Art of Printing
Pearson, Emily C. (Emily Clemens)
Gutenberg, Johann, 1397?-1468
But what changes these books effected in the households blessed with
their presence! “A man is known by the company he keeps;” and books
are most influential associates. People who had not dreamed of being
able to buy a book, by the skill of Gutenberg suddenly found themselves
enriched with the treasure. How the reader of the family dwelt on the
magic page! for seldom it was that more than one member could read. How
the little circle gathered round the fireside of an evening, listening
to catch each word of the wonderful volume, which was read and re-read,
discussed, approved, and mostly committed to memory. This eagerness of
the more enlightened classes to own and read a book, may seem strange
to us who all our lives long have been surrounded with books of all
sizes, from the abstruse tome we pore over to understand, to the
charming literary favorite that we read once and again with delight.
But our wonder will cease when we remember what a different state of
things then existed. Books were so scarce,--and this very scarcity
increased their value,--then they were made with pen and ink alone,
except by Gutenberg, who kept the secret of his block process. People
took it for granted that the books he sold them were manuscripts,
slowly written by hand; and marveled much at their exactness and
similarity.
Still, with all the interest excited by his books, an edition of some
fifty copies, sufficed to answer the demand. The mass of the people
were too ignorant to aspire to the possession of a book. They could
not read, and reasoned--if the subject came up--that books would be
useless. To buy them, would be like purchasing a carriage when horses
could not be had to draw it, or spectacles for a blind man, or shoes
for one without feet.
As was his custom, whenever a new book was issued, the inventor visited
the Cathedral with the “Ars Moriendi” to make sales. The visit was
an event of moment to the firm, far more than a trade sale is to a
publishing house of this day.
He first sought the Abbot in the library, whom he found sitting a
little apart by a table, busily examining the work of the copyists.
“Good-morning, holy Father!” said Gutenberg.
“Good-morrow, my son: hast thou brought more of thy wonderful books?”
“That I have, Father,” replied Gutenberg; and as he began to remove the
coverings, several monks gathered around him.
“What hast thou here?” asked Father Gottlieb, a gray-headed friar;
“more of thy magical books?”
“I claim no powers of magic, Father; it is simply patience that has
done it!” and opening an “Ars Memorandi,” he passed it to the critical
monk. Then taking a copy of “Ars Moriendi” he courteously presented it
to the Superior.
“Thank you, my son!” rejoined his Reverence graciously. “It is a
pleasure to examine thy manuscript.”
Public-domain text, read in full here on John Shaqi.
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