England -- Pictorial works; Watercolor painting, British
The materials other than wood used for the framework, and which were
necessary to fill up the interstices, were, in the better class of
dwellings, bricks; in others, a consistency formed of chopped straw and
clay, an outward symmetry of appearance being gained by a covering of
plaster where it was not deemed advisable to protect the woodwork, and
of boarding or tiles where the whole surface called for protection.
Several of the cottages illustrated in this volume have been protected
by these tilings on some part or another, perhaps only on a gable end,
most often on the upper story, sometimes over the whole building, but
of course, principally, where it was most exposed to the weather (see
Cherry-Tree Cottage, Plate 43; Chiddingfold, Plate 44; Shottermill,
Plate 49; and Valewood Farm, Plate 50). This purpose of the tile in
the old houses, and its use only for protection, distinguishes them
from the modern erections, where it is oftentimes affixed in the most
haphazard style, and clearly without any idea of fitting it where it
will be most serviceable.
The space in the interior was very irregularly apportioned, whilst the
cubic space allotted to living rooms, both on the ground and first
floors, was singularly insufficient for modern hygienic views. A
reason for the small size of the rooms may have been that it enabled
them to be more readily warmed, either by the heat given off by the
closely-packed indwellers, or by the small wood fires which alone could
be indulged in. Little use was made of the large space in the roof, but
this omission adds much to the picturesqueness of the exterior, for the
roofs gain in simplicity by their unbroken surface and treatment. It
is somewhat astonishing that the old builders did not recognise this
costly disregard of space.
The roofs, like the framework, testify to the geological formation and
agricultural conditions of the district.
The roof-tree was always of hand-hewn oak, and this it was, according
to Birket Foster, which gave to many of the old roofs their pleasant
curves away from the central chimney. The ordinary unseasoned sawn deal
of the modern roof may swag in any direction.
The roof-covering where the land was chiefly arable, or the distance
from market considerable, was usually wheaten thatch, which was
certainly the most comfortable, being warm in winter and cool in
summer, just the reverse of the tiles or slates that have practically
supplanted it.[11] In other districts the cottages are covered with
what are known as stone slates, thick and heavy. Roofs to carry the
weight of these had always to be flattened, with the result that they
require mortaring to keep out the wet. The West Tarring cottage (Plate
51) is an instance of a stone roofing.
Public-domain text, read in full here on John Shaqi.
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