Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Napoleon entered a magnificent carriage, seated between his two
colleagues, who appeared but as his attendants or body-guard. The
carriage was drawn by six beautiful white horses, a present to Napoleon
from the Emperor of Austria, immediately after the treaty of Campo
Formio. A gorgeous train of officers, accompanied by six thousand picked
troops, in the richest splendor of military display, composed the
cortège. Twenty thousand soldiers, with all the concomitants of martial
pomp, in double files, lined the streets through which the procession
was to pass. A throng which could not be numbered, from the city and
from the country, filled the garden, the streets, the avenues, the
balconies, the house-tops, and ebbed and flowed in surging billows far
back into the Elysian Fields. They had collected to exult in introducing
the idol of the army and of the nation--the people's king--into the
palace from which they had expelled the ancient monarchs of France. The
moment the state carriage appeared, the heavens seemed rent with the
unanimous shout, "Long live the First Consul." As soon as Napoleon
arrived at the foot of the great stair, ascending to the palace, he left
the other Consuls, and, mounting his horse, passed in review the
magnificent array of troops drawn up before him. Murat was on his right;
Lannes on his left. He was surrounded by a brilliant staff of war-worn
veterans, whose scarred and sun-burnt visages told of many a toilsome
and bloody campaign. There were three brigades, which appeared with the
banners which had passed through the terrific conflicts of Lodi, Rivoli,
and Arcola. They were black with powder, and torn into shreds by shot.
Napoleon instantly uncovered his head, and, with profound reverence,
saluted these monuments of military valor. An universal burst of
enthusiasm greeted the well-timed and graceful act. Napoleon then
returned to the Tuileries, ascended to the audience-chamber, and took
his station in the centre of the room. All eyes were fixed upon him. The
two associate Consuls were entirely forgotten, or, rather, they were
reduced to the rank of pages, following in his train, and gracing his
triumph.
[Illustration: NAPOLEON'S ENTRANCE INTO THE TUILERIES.]
Public-domain text, read in full here on John Shaqi.
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