It was now half-past twelve o'clock, and still the miserable dip tallow candle burned in a dilapidated tin candlestick. The wind whistled with that peculiar wintry sound which betokens that snow is falling; it was very, very cold; the fire was out; and the girl who sat plying her needle by the hearth, which was still a little warmer than the rest of the room, had wrapped up her feet in an old worn-out piece of flannel, and had an old black silk wadded cloak thrown over her to keep her from being almost perished. The room was scantily furnished, and bore an air of extreme poverty, amounting almost to absolute destitution. One by one the little articles of property possessed by its inmates had disappeared to supply the calls of urgent want. An old four-post bedstead, with curtains of worn-out serge, stood in one corner; one mattress, with two small thin pillows, and a bolster that was almost flat; three old blankets, cotton sheets of the coarsest description upon it: three rush-bottomed chairs, an old claw-table, very ancient dilapidated chest of drawers--at the top of which were a few battered band-boxes--a miserable bit of carpet before the fire-place; a wooden box for coals; a little low tin fender, a poker, or rather half a poker; a shovel and tongs, much the worse for wear, and a very few kitchen utensils, was all the furniture in the room. What there was, however, was kept clean; the floor was clean, the yellow paint was clean; and, I forgot to say, there was a washing-tub set aside in one corner. The wind blew shrill, and shook the window, and the snow was heard beating against the panes; the clock went another quarter, but still the indefatigable toiler sewed on. Now and then she lifted up her head, as a sigh came from that corner of the room where the bed stood, and some one might be heard turning and tossing uneasily upon the mattress--then she returned to her occupation and plied her needle with increased assiduity. The workwoman was a girl of from eighteen to twenty, rather below the middle size, and of a face and form little adapted to figure in a story. One whose life, in all probability, would never be diversified by those romantic adventures which _real_ life in general reserves to the beautiful and the highly-gifted. Her features were rather homely, her hair of a light brown, _without_ golden threads through it, her hands and arms rough and red with cold and labor; her dress ordinary to a degree--her clothes being of the cheapest materials--but then, these clothes were so neat, so carefully mended where they had given way; the hair was so smooth, and so closely and neatly drawn round the face; and the face itself had such a sweet expression, that all the defects of line and color were redeemed to the lover of expression, rather than beauty.