Harper's New Monthly Magazine, vol. 3, no. 18, November, 1851Harper, Various (magazine)
History
Harper's New Monthly Magazine, vol. 3, no. 18, November, 1851
Harper, Various (magazine)
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
[The Story of Reynard the Fox, in prose and in rhyme, has for centuries
been the favorite popular tale in Europe. We can not go back to the time
when it was not told in every dialect spoken by the Teutonic race.
"Among the people," says Carlyle, "it was long a house-book, and
universal best-companion; it has been lectured on in universities,
quoted in imperial council-halls; it lay on the toilets of princesses,
and was thumbed to pieces on the work-bench of the artisan; we hear of
grave men ranking it next to the Bible.... It comes before us with a
character such as can belong only to a very few; that of being a true
world's book, which through centuries was every where at home, and the
spirit of which diffused itself through all languages and all minds."
The translation which we present is from the old Low-German version,
which, by superseding all previous ones, has come to be considered the
recognized form of the tale. Goethe has expanded it into a long poem,
for which Kaulbach designed some forty illustrations, forming the finest
series of pictures ever produced for the illustration of a single book.
Hermann Plouquet of Stuttgart, has contributed to the Great Exhibition
in London a display of animals stuffed in the most comic attitudes. A
portion of these are in illustration of Reynard the Fox, the designs of
Kaulbach serving as models. The illustrations which we furnish are taken
from daguerreotype pictures of these animals, and afford a striking
example of the expression which the animal face and figure are capable
of conveying.]
About the feast of Whitsuntide, when the woods were in their lustyhood
and gallantry, when every tree was clothed in the green and white livery
of glorious leaves and sweet-smelling blossoms, when the earth was
covered with her fairest mantle of flowers, and the sweet birds
entertained the groves with the delight of their harmonious songs, the
LION, the Royal King of Beasts, made solemn proclamation that all
quadrupeds whatsoever should attend his court, and celebrate this great
festival.
Now when the King had assembled all his subjects together, there was no
one absent save Reynard the Fox, against whom many grievous accusations
were laid. First came Isegrim the Wolf, with all his family and kindred,
who, standing before the King, complained loudly how that Reynard had
ill-treated his wife and children. Then there came a little hound named
Curtsie, who accused the fox of having stolen his pudding in the extreme
cold winter-time, when he was nigh dying of starvation. But scarcely had
the hound finished his tale, when, with a fiery countenance, in sprang
Tibert the Cat, and accused Curtsie of having stolen this pudding from
himself, and declared that Reynard had righteously taken it away.
Then rose the Panther: "Do you imagine, Tibert," quoth he, "that Reynard
ought not to be complained of? The whole world knows that he is a
murderer, a vagabond, and a thief."
Public-domain text, read in full here on John Shaqi.
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