Harriet Beecher Stowe: a biography for girlsCrow, Martha Foote
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Harriet Beecher Stowe: a biography for girls
Crow, Martha Foote
Stowe, Harriet Beecher, 1811-1896 -- Juvenile literature
Meantime Harriet, then eleven years old, had found a stray volume
of Byron’s “Corsair.” Her aunt had given it to her one afternoon to
appease her craving for something to read. This poem astonished and
electrified her. She kept calling to her aunt to hear the wonderful
things she found in it and to ask what they meant. “Aunt Esther, what
does this mean: ‘One I never loved enough to hate’?” “Oh, child, it’s
one of Byron’s strong expressions,” said her aunt. That day Harriet
went home full of dreaming about Byron, and after that she listened
to everything that was said about him at the table. She heard her
father tell about his separation from his wife, and one day he said,
“My dear, Byron is dead--gone!” Then after a minute he added, “Oh, I
am sorry that Byron is dead. I did hope he would live to do something
for Christ. What a harp he might have swept!” That afternoon Harriet
took her basket and went up to the strawberry field on Chestnut Hill.
But she was too dispirited to do anything. She lay in the daisies and
looked up into the blue sky and thought of the great eternity into
which Byron had entered, and wondered how it might be with his soul.
It is interesting to recall that Harriet’s great English contemporary,
Elizabeth Barrett Browning, who afterward became the greatest of women
poets and was one of Mrs. Stowe’s dear friends, at almost the same time
was also mourning in a beautiful poem that “’midst the shriekings of
the tossing wind,” “the dark blue depths” he sang of were then bearing
all that remained of Byron to his native shore.
Harriet would probably know by instinct that no novel would be
approved by her father for the children. So we can imagine her joy when
one day he brought a novel of Scott’s to her brother George, saying
that, though he generally disapproved of such books as trash, yet in
these he could see that there were real genius and real culture and
therefore he would remove his ban upon them.
In that summer Harriet and her brother read “Ivanhoe” through seven
times, and they were both able to recite many scenes _verbatim_ from
beginning to end. They dramatized it all. They named the rocks and
glens and rivers about Litchfield by names borrowed from “The Lady of
the Lake”; they clambered among the rocks of Benvenue and sailed on the
bosom of the Loch Katrine, using Chestnut Hill and the Great and Little
Pond for the purpose. In the reading circles among the law students and
among the young ladies they discussed Scott’s treatment side by side
with that of Shakespeare, and compared the poetry of Scott and Byron.
Public-domain text, read in full here on John Shaqi.
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