Next he turned attention to the eyes, blackening the lashes and edging the lids themselves with heavy mourning. At the outer corners of the eyes he put on a smear of white to drive the eye in toward the nose; between the corner of the eye and the nose, he was careful to deepen the shadow. This was to make his eyes appear close together. Down the bridge of the nose he drew a straight white stripe to make that organ high and thin and narrow; while in the corner between the cheek and nostril went another smear of white, to drive the nose up still higher and sharper. In the midst of this artistry, Jarvis Parks, the character man, who had been assigned to dress with Hampstead, entered. "Hello," said John, with an attempt at unconcern. "Hard at it," commented Parks, and began with the ease of long practice to arrange his make-up materials about him, after which deftly, and almost without looking at what he was doing, he transformed himself into a youthful, rosy-cheeked, navy chaplain. "Half hour!" sang the voice of the call boy from below stairs. John was busy now adjusting a pirate moustache to his upper lip by means of liberal swabbings of spirit gum. As he worked, he hummed a little tune just to show Parks how much at ease and with what satisfied indifference he performed the feat of transposing his fair Saxon features into the cruel scowls of a villainous Spanish colonel. But catching the eye of Parks upon him for a moment, Hampstead was puzzled by the expression, although he reflected that it was probably admiration, since he certainly had got on ever so much better than he expected. It surely was a fine make-up—a brilliant make-up. "Fifteen minutes," sang the voice of the call boy. Hampstead could really contain his self-complacency no longer. "Well," he exclaimed, turning squarely on Parks, "what do you think of it?" Now if John had only known, he disclosed his whole amateurish soul to wise old Parks in that single question, for a professional actor never asks another professional what he thinks of his make-up. "Great!" responded Parks drily, but again there was that look upon his face which Hampstead could not quite interpret. "Five minutes!" was bellowed up the stairway. Hampstead drew on his coat of brilliant yellow, buckled on his sword, and had opportunity to survey himself again in the glass and bestow a few more touches to the face before the word "overture", the call boy’s final scream of exultation, echoed through the dressing rooms. The corridor outside John’s door was immediately filled with the sound of trampling feet, of voices male and female, some talking excitedly, some laughing nervously, every soul aquiver with that brooding sense of the ominous which sheds itself over the spirits of a theatrical company upon a first night.