The exhibition is far beyond my power to describe. To give you some faint idea, permit me to say, that it consists of ten characters—men, women and children—all made and painted in the most expressive manner, with all the limbs and joints of the human frame—each performing different parts; their features, shape and form, all express their different offices and character, their dress is of different fashions, and suitable to the stations in which they are. To view them in their stations, they appear as perfect as though alive, with all the air and gaiety of actors on the stage. Smith sits in his bed by the side of the gaol, his exhibition begins about a foot from the floor, and compasses the whole space to the ceiling. The uppermost is a man whom he calls his tamborine player, or sometimes Dr. Blunt, standing with all the pride and appearance of a master musician; his left hand akimbo, his right hand on his tamborine, dressed in suitable uniform. Next him, below, is a lady genteely dressed, gracefully sitting in a handsome swing; at her left stands a man, neatly dressed, in the character of a servant, holding the side of the swing with his right, his left hand on his hip, in an easy posture, waiting the lady’s motion. On her right hand stands a man genteely dressed, in the character of a gallant, in a graceful posture for dancing. Beneath these three figures, sits a young man and a young woman (apparently about fourteen,) in a posture of tilting, at each end of a board, decently dressed. Directly under these stands one whom he calls Bonaparte, or sometimes the father of his family; he stands erect, his features are prominent, his cheeks red, his teeth are white and set in order, his gums and lips red, his nose shaded black, representing the nostrils; his dress is that of the harlequin. In one hand he holds an infant, with the other he plays or beats music; before him stand two children, apparently three or four years old, holding each other by the hand, in the act of playing or dancing, which, with a man dressed in fashion, who appears in the character of a steward, sometimes in one situation, and sometimes in another, makes up the show, all of which you have in one view. Then commences the performance.