Ere she had taken three steps, however, she paused. The air was not one of the country; a finer hand, too, a more exquisite taste than France could produce woke the instrument into sounds most musical, and in a moment after, she recognised the sweet air which she had twice before heard, and both times from the lips of Charles of Montsoreau. The memory of the first time that it had met her ear was sweet and delightful; but the memory of the second time was as the memory of hope; and, in despite of all, it woke again the feelings it had awakened before; and an indistinct feeling of glad expectation came across her mind, like a golden sunbeam, shining through the mist of an autumnal morning. What was it she hoped? what was it she expected? She knew not herself; but still there was an indistinct brightening came over her heart, and feelings; and when the air was over, instead of flying from the music, she listened eagerly for its renewal. The pipe, however, sounded not again; but in a moment after she heard some one say, "Hark!" and the sweetest possible voice began to sing:-- SONG. Weep not, Lady, weep not, Grief shall pass away; Angels' eyes that sleep not Watch thee on thy way. Heavenly hands are twining Garlands of glad flowers. Joy and Hope combining Wreath thy future hours. Diff'rent powers are near thee-- Bright Hope, dark Despair; Let the Goddess cheer thee-- Fly the Fiend of Care. Son of Sin and Sorrow Despair by earth was given; Child of the bright to-morrow, Hope was born of Heaven. What could it mean? Marie de Clairvaut asked herself. The words seemed directly addressed to her, and applicable to her own situation: yet the voice, as far as she could judge, she had never heard before. But still every note, every word, appeared to counsel hope. "Can I have been deceived?" she thought. "Can the Abbé de Boisguerin and Gaspar de Montsoreau have combined for their own dark purposes to cheat me, to induce me to believe that the one I love so well is dead?" But, alas no! The Abbé had left, inclosed in his own, the brief note which he had received from Paris, announcing the event, and that note bore every appearance of being an ordinary matter of business, passing regularly through the post-office of the capital. Could the song that she had heard, she asked herself, again--could it have been accidental; could it have been sung at that moment through one of those strange combinations, which sometimes arise out of entirely indifferent circumstances, to give zest to our joy, or poignancy to our sorrow? She determined, if possible, to ascertain; and raising her voice a little above its ordinary tone, she said, "Who is there? To whom do you sing?"