Heraldry as art: An account of its development and practice, chiefly in England — John Shaqi
Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
Similarly, charges one above the other are blazoned _in pale_. Here
it should be noted that in pale and in fess do not mean occupying the
_space_ of a pale or of a fess, but merely that they are disposed in
the indicated direction. Thus the lions of England are _in pale_, but
should, of course, be drawn right across their field, and in a similar
manner charges in fess extend from chief to base when their character
admits of the extension.
In some instances a number of charges are placed on the field between
others, as: three roses in bend between two roundles; but the result
can rarely be made satisfactory as design, such a coat seeming to need
the steadying effect of the lines of an ordinary.
Charges that are ranged round the field, as in the enamelled shield of
William de Valence at Westminster, p. 176, are _in orle_; if the number
of martlets were specified, the blazon would be so many martlets in
orle; but if the number were indefinite, the term would be an orle of
martlets.
[Illustration: FIG. 80.--Arms of the Grocers Company of London. Cartoon
for mural decoration. Geo. W. Eve.]
When a fess or a chevron is between three charges the latter naturally
fall into the position of two in chief and one in base, and that is
the most usual number and arrangement. Instances of greater numbers
so disposed are rare among ancient examples, for in designing them the
pointed shield seems to have been kept always in view with the notable
exception of Berkeley, Gu. a chevron ermine between ten crosses pattée
Ar; but these adapt themselves perfectly to the shield and chevron,
being balanced by the large number above, as also do the cloves of the
Grocers Company that are similarly arranged. Fig. 80 shows a rendering
of the last-mentioned arms as designed to accompany work of the
eighteenth century.
CHAPTER IV
Animals and Monsters
Among the forms that are characteristically heraldic the Lion, the
symbol of courage, power and magnanimity, is most prominent and typical.
[Illustration: FIG. 81.
Thirteenth Century.]
[Illustration:
FIG. 82. FIG. 83.
Device Seals. Thirteenth Century.]
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