Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
The exact proportion which charges should bear to the field cannot,
of course, be stated with accuracy, there being no ready means of
measurement, even if such were desirable, and it must necessarily
remain a matter for artistic perception to find the just mean between
crowding a space and failing to fill it. It is evident also that the
proportion would be modified by circumstances, such as the character of
the charge (whether condensed or dispersed), and also to some extent
by colour, with regard to the respective effects of light on dark or
dark on light as affecting apparent size. It may, however, be suggested
that the charges should be insisted upon to the fullest extent that is
compatible with the general style of the design, the field remaining of
such weight that the Scottish quarter of the Royal Banner, for example,
if seen as a mass at a distance, will tell as gold rather than red. And
after all is said, the actual balance must be left to the decision of
the trained eye.
When strong outline filled in with colour is the method of working, due
allowance must be made for the tendency of the line to become merged in
the darker of the two tinctures; and the object will therefore need to
be drawn slightly larger or smaller accordingly.
There are also illusions of an optical nature that are produced by
certain combinations of lines. If, for instance, three pallets are
charged upon a chevron, it will be found that the middle one must be
appreciably wider than those beside it if the three are to appear
equal. Fig. 88 shows this, though the fact is more clearly appreciable
in a drawing on a larger scale.
[Illustration: FIG. 88.]
The Pose of the Animals must be carefully observed as being of the
utmost heraldic importance, and must in the main be adhered to with
complete fidelity. To neglect in this respect is due much of the bad
heraldry which too often vitiates otherwise good work.
In the early days of the science, when the bearings were few, the
nature of the creature was, no doubt, sufficient for the intended
purpose, for there would be no other near with which to confuse it, and
the pose was probably dictated by the form of the space that the animal
was required to fill, but when it became necessary to distinguish
between different bearers of the same animal, pose assumed a special
significance and therefore became one of the principal means of
heraldic distinction.
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