Herbals, Their Origin and Evolution: A Chapter in the History of Botany 1470-1670 — John Shaqi
Herbals, Their Origin and Evolution: A Chapter in the History of Botany 1470-1670Arber, Agnes Robertson
History
Herbals, Their Origin and Evolution: A Chapter in the History of Botany 1470-1670
Arber, Agnes Robertson
Botany -- Europe -- History; Herbals -- Europe -- History
Camerarius brought out an edition of Mattioli (‘De plantis Epitome’),
but his chief work was the ‘Hortus medicus et philosophicus,’ which
appeared in 1588. The illustrations to this book consist partly of
drawings by Gesner, which the author had bought a few years previously,
and partly of original figures. It is impossible to discriminate with
any exactness between the work of the two men. These wood-cuts, of
which Text-figs. 34, 35, 71 and 100 are examples, will be discussed
more fully in Chapter VII. From the botanical point of view, they
represent a considerable advance, since the details of floral structure
are often shown on an enlarged scale. Camerarius was a good observer,
and his travels furnished him with much information regarding the
localities for the plants which he described.
[Illustration: Text-fig. 35. “Palma” = Seedlings of _Phœnix
dactylifera_ L., Date Palm [Camerarius, Hortus medicus, 1588].]
2. THE HERBAL IN THE LOW COUNTRIES.
In the sixteenth century, the Herbal flourished exceedingly in the
Low Countries. This was due in part to the zeal and activity of the
botanists of the Netherlands, but perhaps even more to the munificence,
and love of learning for its own sake, which distinguished that prince
of publishers, Christophe Plantin of Antwerp. In these qualities
he forms a notable contrast to Egenolph of Frankfort, to whose
shortcomings we have already drawn attention.
Plantin’s life extended from about 1514 to 1589, and thus included the
central years of that wonderful century. He was a native of Touraine,
and studied the art of printing at Caen and other French towns. Towards
1550, he and his wife, Jeanne Rivière, settled in Antwerp, where he
worked at book-binding, and his wife sold linen in a little shop.
Later, he returned to the profession of printing, and his business in
this direction gradually developed, and was eventually transferred to
the famous Maison Plantin. Christophe’s reputation grew to such an
extent that great efforts were made, in various quarters, to tempt him
from Antwerp. The Duke of Savoy and Piedmont, for instance, did all
he could to persuade him to come to Turin, promising him extensive
printing works and all necessary funds—but he remained faithful to the
city of his adoption. Perhaps the most potent factor in his success
was his keen judgment of men, which enabled him so to choose his
subordinates that he gathered around him an unrivalled staff.
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