History of a literary radical, and other essaysBourne, Randolph Silliman
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History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
Karen loathed ideas and often quoted George Moore on their
hideousness. The mere suggestion of an idea was so likely to destroy
the poise of her mood, that conversation became a strategy worth
working for. Karen did not think, she felt--in slow, sensuous outlines.
You could feel her feelings curiously putting out long streamers at
you, and, if you were in the mood, a certain subterranean conversation
was not impossible. But if you did not happen to guess her mood, then
you quarreled.
When I met Karen, she was twenty-five, and I guessed that she would
always be twenty-five. She had personal ideals that she wished for
herself, and if you asked what she was thinking about, it was quite
likely to be the kind of noble woman she was to be, or feared she would
not be, at forty. But she was too insistent upon creating her world
in her own image to remain sensitive to the impressions that make
for growth. As the story of her life came out, the bitter immigrant
journey, the despised house-work, the struggle to get an education,
the office drudgery, the lack of roots and a place, you came to
appreciate this personal cult of Karen’s. She was so clearly finer
and intenser than the people who had been in the world about her,
that her starved soul had to find nourishment where it could. Even
if she was insensible to ideas, her soft searching at least allured.
It was perhaps her starved condition which made her friendships so
subject to sudden disaster. Karen’s notes were always a little more
brightly intimate than her personal resources were able to support.
She seemed to start with a plan of the conversation in her head. If
you bungled, and with her little retreats and evasions you were always
bungling, you could feel her spirit stamp its feet in vexation. She
would plan pleasant soliloquies, and you would find yourself in a
fiercely cross-examinatory mood. She loathed your probing of her mood,
and parried you in a helpless way which made you feel as if you were
tearing tissue. You always seemed with Karen to be in a laboratory of
personal relations where priceless things were being discovered, but
you felt her more as an alchemist than a modern physicist of the soul,
and her method rather that of trial and error than real experiment.
Public-domain text, read in full here on John Shaqi.
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