Soon after this time, we read of amateur jesters or rather practical jesters called _planoi_. Chrysippus, who was not only a philosopher, but a man of humour--a union we are not surprised to find common at that date--and who is said, perhaps with equal truth, to have died like Philemon in a fit of laughter, on seeing an ass eat figs off a silver plate--mentions a genius of this kind, one Pantaleon, who, when at the point of death told each of his sons separately that he confided to him alone the place where he had buried his gold. When he was dead, they all betook themselves to the same spot, where they laboured for some time, before discovering that they had all been deceived. From this period we are mostly indebted to epigrams for any knowledge of Greek humour. They originated in inscriptions or offerings in temples; afterwards came to be principally epitaphial or sarcastic; and grew into a branch of literature. We can scarcely understand some of the fancies indulged in at the time, which contain no salt at all--"Sports," Hephaestio calls them. Of these devices may be mentioned the "Wings of Love" by Simmias, a Rhodian, who lived before 300 B.C. The verses are graduated so as to form a pair of wings. "The first altar," written by Dosiadas of Rhodes, is the earliest instance of a Greek acrostic, or of any one which formed words. An acrostic is a play upon spelling, as a pun is upon sound; and in both cases the complication is too slight for real humour. They are rather to be considered as ingenious works of fancy. The first specimens are those in the Psalms--twelve of which have twenty-two verses beginning with the twenty-two letters of the Hebrew alphabet. The 119th Psalm is a curious specimen of this conceit; it is divided into twenty-two stanzas, and a letter of the alphabet in regular order begins each of them. The initial letters of "The First Altar" of Dosiadas of Rhodes, form four words, and seem to be addressed to some "Olympian," who, the dedicator hopes "may live to offer sacrifice for many years." The altar states that it is not stained with the blood of victims, nor perfumed with frankincense, that it is not made of gold and silver; but formed by the hand of the Graces and the Muses. In the "Second Altar," also usually attributed to Dosiadas of Rhodes, we find not only a fanciful outline formed by long and short verses, but also a studious avoidance of proper names. Not one is mentioned, although thirteen persons are designated. It is evident that this "Altar" was a work of ingenuity, and intended to be enigmatical. Probably the substitutions were also considered to be somewhat playful and amusing, as in Antiphanes--a comic poet, said to have died from an apple falling on his head--we read, _A._ Shall I speak of rosy sweat From Bacchic spring? _B._ I'd rather you'd say wine. _A._ Or shall I speak of dusky dewy drops? _B._ No such long periphrasis--say plainly water.