home, is aware that she gives herself altogether,[39] "that she will have but one body, one life with him; that she will have no thought, no desire beyond; that she will be the companion of his perils and labors; that she will suffer and dare as much as he, both in peace and war." And he, like her, knows that he gives himself. Having chosen his chief, he forgets himself in him, assigns to him his own glory, serves him to the death. "He is infamous as long as he lives, who returns from the field of battle without his chief."[40] It was on this voluntary subordination that feudal society was based. Man in this race can accept a superior, can be capable of devotion and respect. Thrown back upon himself by the gloom and severity of his climate, he has discovered moral beauty while others discover sensuous beauty. This kind of naked brute, who lies all day by his fireside, sluggish and dirty, always eating and drinking,[41] whose rusty faculties cannot follow the clear and fine outlines of happily created poetic forms, catches a glimpse of the sublime in his troubled dreams. He does not see it, but simply feels it; his religion is already within, as it will be in the sixteenth century, when he will cast off the sensuous worship imported from Rome, and hallow the faith of the heart.[42] His gods are not enclosed in walls; he has no idols. What he designates by divine names is something invisible and grand, which floats through nature, and is conceived beyond nature,[43] a mysterious infinity which the sense cannot touch, but which "reverence alone can feel"; and when, later on, the legends define and alter this vague divination of natural powers, one idea remains at the bottom of this chaos of giant-dreams, namely, that the world is a warfare, and heroism the highest good.