“The scenery above Hit, in itself very picturesque, is greatly
heightened, as one is carried along the current, by the frequent
recurrence, at very short intervals, of ancient irrigating
aqueducts; these beautiful specimens of art and durability are
attributed by the Arabs to the times of the ignorant, meaning (as
is expressly understood) the Persians, when fire-worshippers,
and in possession of the world. They literally cover both banks,
and prove that the borders of the Euphrates were once thickly
inhabited by a people far advanced indeed in the application
of hydraulics to domestic purposes, of the first and greatest
utility—the transport of water. The greater portion is now more
or less in ruins, but some have been repaired, and kept up for
use either to grind corn or to irrigate. The aqueducts are of
stone, firmly cemented, narrowing to about two feet or twenty
inches at top, placed at right angles to the current, and carried
various distances towards the interior, from two hundred to one
thousand two hundred yards.
“But what most concerns the subject of this memoir is, the
existence of a parapet wall or stone rampart in the river, just
above the several aqueducts. In general, there is one of the
former attached to each of the latter. And almost invariably,
between two mills on the opposite banks, one of them crosses the
stream from side to side, with the exception of a passage left
in the centre for boats to pass up and down. The object of these
subaqueous walls would appear to be exclusively, to raise the
water sufficiently at low seasons, to give it impetus, as well as
a more abundant supply to the wheels. And their effect at those
times is, to create a fall in every part of the width, save the
opening left for commerce, through which the water rushes with
a moderately irregular surface. These dams were probably from
four to eight feet high originally; but they are now frequently a
bank of stones disturbing the evenness of the current, but always
affording a sufficient passage for large boats at low seasons.”
Public-domain text, read in full here on John Shaqi.
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