Homer's Odyssey: A CommentarySnider, Denton Jaques
Philosophy
Homer's Odyssey: A Commentary
Snider, Denton Jaques
Epic poetry, Greek -- History and criticism; Homer. Odyssey; Odysseus, King of Ithaca (Mythological character) -- In literature
With these two stories, the note changes; the sad turn of the talk is
transformed into a quiet earnest joy, the sorrows of the present vanish
in the glorious memories of the past. The moment Troy is introduced,
the narrative becomes an Heroic Tale, a sort of Iliad, with its feats
of arms. Thus we hear the story of Ulysses while at Troy, giving two
instances of his craft and his daring. Next we are to hear of him after
his Trojan experience, this now theme will give the new poem, the
Odyssey, which, however, is seen to interlink at many points with the
Iliad.
But this is sufficient, night has come on, Telemachus has heard and
beheld enough for one day. Helen disappears from the scene, she has
contributed her share, her own selfhood, to the experience of the young
man. Telemachus has seen Helen, and thus attained one supreme purpose
of Greek education. Never can that face, beautiful still, yet stamped
with all the vicissitudes of human destiny, pass out of his mind; never
can that life of hers with its grand transformation pass out of his
soul. The reader, too, has at this point to bid good-bye to Homer's
Helen, the most lasting creation of a woman that has yet appeared upon
our planet. A power she has, too, of continuous re-embodiment; every
poet seeks to call her up afresh, that is, if he be a poet. It may be
said that each age has some incarnation of Helen; the Greek myth for
two thousand years, Medieval legend, even Teutonic folk-lore have
caught up her spirit and incorporated it in new forms. The last great
singer of the ages has in our own time, evoked her ghost once more in
the shining palace of Menelaus at Sparta. Farewell, Helen, for this
time, but we shall meet thee again; yesterday thou didst show thyself
in a new book under a new garb, to-morrow thou art certain to appear in
another. Thine is the power to re-create thyself in the soul of man
with every epoch and in every country. Great is that discipline of
Telemachus, which we still to-day have to seek: he has seen Helen.
3. The preceding story was the Heroic Tale, which goes back to the
Past, especially to Troy, as the grand deed done by the united Hellenic
race, whereof the Iliad is a sample. But now we enter a new field, and
a new sort of composition, which, in default of a better name, we shall
call the Fairy Tale. Helen is not now present, nor is her struggle the
theme; Menelaus, the man, is to recount his experience in his return to
Hellas.
The story is inspired by the desire of Telemachus to know about his
father. As that father is not present the question arises, Where is he?
Menelaus will undertake to answer the question by a tale which shadows
forth the Distant and the Future--a prophetic tale, which casts its
glance through the veil of Time and Space.
Public-domain text, read in full here on John Shaqi.
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