“During two months, while my work in the garden lasted, I never set
eyes on the little house where my fair neighbor dwelt. I had not even
inquired whether I had a neighbor, though the Countess’ garden was
divided from mine by a paling, along which she had planted cypress trees
already four feet high. One fine morning Madame Gobain announced to her
mistress, as a disastrous piece of news, the intention, expressed by
an eccentric creature who had become her neighbor, of building a wall
between the two gardens, at the end of the year. I will say nothing of
the curiosity which consumed me to see the Countess! The wish almost
extinguished my budding love for Amelie de Courteville. My scheme for
building a wall was indeed a dangerous threat. There would be no more
fresh air for Honorine, whose garden would then be a sort of narrow
alley shut in between my wall and her own little house. This dwelling,
formerly a summer villa, was like a house of cards; it was not more
than thirty feet deep, and about a hundred feet long. The garden front,
painted in the German fashion, imitated a trellis with flowers up to the
second floor, and was really a charming example of the Pompadour style,
so well called rococo. A long avenue of limes led up to it. The gardens
of the pavilion and my plot of ground were in the shape of a hatchet, of
which this avenue was the handle. My wall would cut away three-quarters
of the hatchet.
“The Countess was in despair.
“‘My good Gobain,’ said she, ‘what sort of man is this florist?’
“‘On my word,’ said the housekeeper, ‘I do not know whether it will
be possible to tame him. He seems to have a horror of women. He is the
nephew of a Paris cure. I have seen the uncle but once; a fine old man
of sixty, very ugly, but very amiable. It is quite possible that this
priest encourages his nephew, as they say in the neighborhood, in his
love of flowers, that nothing worse may happen----’
“‘Why--what?’
“‘Well, your neighbor is a little cracked!’ said Gobain, tapping her
head!
“Now a harmless lunatic is the only man whom no woman ever distrusts
in the matter of sentiment. You will see how wise the Count had been in
choosing this disguise for me.
“‘What ails him then?’ asked the Countess.
“‘He has studied too hard,’ replied Gobain; ‘he has turned misanthropic.
And he has his reasons for disliking women--well, if you want to know
all that is said about him----’
“‘Well,’ said Honorine, ‘madmen frighten me less than sane folks; I will
speak to him myself! Tell him that I beg him to come here. If I do not
succeed, I will send for the cure.’
“The day after this conversation, as I was walking along my graveled
path, I caught sight of the half-opened curtains on the first floor of
the little house, and of a woman’s face curiously peeping out. Madame
Gobain called me. I hastily glanced at the Countess’ house, and by a
rude shrug expressed, ‘What do I care for your mistress!’
Public-domain text, read in full here on John Shaqi.
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