Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
A committee chosen by the audience tied the mediums' hands securely behind
their backs, fastened their legs together, and pinioned them to their
seats in the cabinet, and to the cross rails with strong ropes. The side
doors were closed first, then the center door, but no sooner was the last
fastened, than the hands of one of the mediums were thrust through the
window in the centre door. In a very short time, at a signal from the
mediums, the doors were opened, and the Davenports stepped forth, with the
ropes in their hands, every knot untied, confessedly by spirit power. The
astonishment of the spectators amounted to awe. On an average it took ten
minutes to pinion the Brothers; but a single minute was required for their
release. Once more the mediums went into the cabinet, this time with the
ropes lying in a coil at their feet. Two minutes elapsed. Hey, presto! the
doors were opened, and the Davenports were pronounced by the committee to
be securely lashed to their seats. Seals were affixed to the knots in the
ropes, and the doors closed as before. Pandemonium reigned. Bells were
rung, horns blown, tambourines thumped, violins played, and guitars
vigorously twanged. Heavy rappings also were heard on the ceiling, sides
and floor of the cabinet, then after a brief but absolute silence, a bare
hand and arm emerged from the lozenge window, and rung the big dinner
bell. On opening the doors the Brothers were found securely tied as
before, and seals intact. An amusing feature of the exhibition occurred
when a venturesome spectator volunteered to sit inside of the cabinet
between the two mediums. He came out with his coat turned inside out and
his hat jammed over his eyes. In the dark séance the cabinet was dispensed
with and the spectators, holding hands, formed a ring around the mediums.
The lights were put out and similar phenomena took place, with the
addition of luminous hands, and musical instruments floating in the air.
Public-domain text, read in full here on John Shaqi.
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