The prism is a triangular solid of glass, and by it the young optician may decompose a ray of light into its primitive and supplementary colors, for a ray of light is of a compound nature. By the prism the ray is divided into its three primitive colors, blue, red, and yellow; and their four supplementary ones, violet, indigo, green, and orange. The best way to perform this experiment is to cut a small slit in a window-shutter, on which the sun shines at some period of the day, and directly opposite the hole place a prism; a beam of light in passing through it will then be decomposed, and if let fall upon a sheet of white paper, or against a white wall, the seven colors of the rainbow will be observed. COMPOSITION OF LIGHT. The beam of light passing through the prism is decomposed, and the spaces occupied by the colors are in the following proportions: Red, 6; orange, 4; yellow, 7; green, 8; blue, 8; indigo, 6; violet, 11. Now, if you paste a sheet of white paper on a circular piece of board about six inches in diameter, and divide it with a pencil into fifty parts, and paint colors in them in the proportions given above, painting them dark in the center parts, and gradually fainter at the edges, till they blend with the one adjoining. If the board be then fixed to an axle, and made to revolve quickly, the colors will no longer appear separate and distinct, but becoming gradually less visible they will ultimately appear _white_, giving this appearance to the whole surface of the paper. A NATURAL CAMERA OBSCURA. The human eye is a camera obscura, for on the back of it on the retina every object in a landscape is beautifully depicted in miniature. This may be proved by the BULLOCK’S EYE EXPERIMENT. Procure a fresh bullock’s eye from the butcher, and carefully thin the outer coat of it behind: take care not to cut it, for if this should be done the vitreous humor will escape, and the experiment cannot be performed. Having so prepared the eye, if the pupil of it be directed to any bright objects, they will appear distinctly delineated on the back part precisely as objects appear in the instrument we are about to describe. The effect will be heightened if the eye is viewed in a dark room with a small hole in the shutter, but in every case the appearance will be very striking. THE CAMERA OBSCURA.