In Barbary : $b Tunisia, Algeria, Morocco and the Sahara — John Shaqi
In Barbary : $b Tunisia, Algeria, Morocco and the SaharaPowell, E. Alexander (Edward Alexander)
History
In Barbary : $b Tunisia, Algeria, Morocco and the Sahara
Powell, E. Alexander (Edward Alexander)
Africa, North -- Description and travel
The view from the Kasbah, especially in the late afternoon, when the
shadows begin to lengthen and the fort-crowned hills which encircle
the city are tinged with coral, is one never to be forgotten. To
the southward, an opal imbedded in green velvet, lies the salt lake,
Sebkhet-es-Sedjoumi. Two or three miles to the west the white palace
of the Bardo rises from a sea of verdure. To the northward, beyond
the Park of the Belvedere, with its sweeping drives and charming
Moorish pavilions, the fir-clad peaks of Djebel Merkez and Djebel
Ahmar rear themselves against the African sky. Eastward, across the
turquoise-colored, flamingo-haunted lagoon of El Bahira, bask in the
sunshine the ivory buildings of La Goulette; while somewhat more to the
north, beyond the rose-brown arches of the Roman aqueduct, are the slopes
on which Carthage once stood so proudly, the whole dominated by the twin
peaks of Bou-Kornein.
Descending from the heights of the Kasbah, a few hundred paces bring us
to the town palace of the rulers of Tunisia, the Dar-el-Bey, now seldom
used as a royal residence save during the month of Ramadan, for during
the rest of the year the bey dwells at his suburban palace of La Marsa,
on the sea-shore beyond Cape Carthage. The interior of the Dar-el-Bey is
an unhappy combination of Oriental taste and European tawdriness. Though
some of the reception-rooms and the private apartments of the bey are
as fine as anything in the Alcázar or the Alhambra, their walls done in
tiles of exquisite design and color, their ceilings decorated with the
delicately chiseled, lace-like plaster-work called _nuksh hadida_, the
state apartments present a painful contrast, having been perpetrated in
the early years of the Victorian epoch, when Turkey-red carpets, crimson
brocade hangings, ornate crystal chandeliers, and an excessive use of
gilt were considered the acme of richness and good taste.
[Illustration: THIRTEEN CENTURIES LOOK DOWN UPON YOU
From the lofty minaret of the Djamaa-es-Zeitoun, the largest mosque in
Tunis, which was already hoary with antiquity when Columbus sailed into
the West]
Save, as I have already remarked, during the fasting month of Ramadan,
when he finds his city palace more convenient for participating in the
numerous religious ceremonies, the present ruler visits the Dar-el-Bey
only once or twice a week for the transaction of official business and to
sit in judgment on criminals. For, though the regency is French in pretty
much everything but name, it has been deemed wise to maintain the fiction
of Tunisian independence by permitting the bey a good deal of latitude
so far as the punishment of his own subjects is concerned; his ideas of
justice (_la justice du bey_ it is called, in contradistinction to _la
justice française_) usually working out in a fashion truly Oriental.
Public-domain text, read in full here on John Shaqi.
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