[Footnote 10: In a barren record of facts, such as this chapter is meant to be, I avoid as far as possible deductions and reflections apart from my immediate subject; but it is impossible to pursue an investigation of this character without being deeply interested both in the past history and present life of the people. I cannot help saying that in one day's walk from Malahide to Balbriggan I learnt far more of the Irish peasantry, the Irish character, and the Irish "problem" than I had been able to acquire in all my reading, supported by not a little experience in the capital and great towns of Ireland. The village streets, the cabins, the schools, the agriculture and the land, the farmer and the landlord, the poverty and the hospitality of the people, were all to be studied at first hand; and there were churches by the way at Swords and Rush which the archaeologist will seek in vain to match in any other country. The Bound Tower (Celtic no doubt) at the former place, and the battlemented fortalice, which is more like a castle than a church, at Rush, are both worth a special visit.] The cross and "T.L." scratched on one of the stones appears to be recent work, and the wonderful preservation of the stone to Lawrence Paine, of 1686, can only be accounted for by the supposition that it has long lain buried, and been lately restored to the light. The stone is of the same perishable kind as the others, and it is certain that it could not have survived exposure to the atmosphere, as its date would imply, for upwards of 200 years. It may even be found that the weather has chipped off the edges of the stones which now appear so jagged, shapeless, and grotesque; but, from recent evidences gathered elsewhere, it is but too probable that these rude pillars have been, and still are, set up as they come from the quarry, without dressing and free from any carving or attention whatever. Many instances may be found in which slabs of stone, or even slate, have been erected quite recently, the edges untrimmed, and the name of the deceased simply _painted_ upon them more or less inartistically, as in the sketch from Drogheda (Fig. 89). Such crude examples are the more remarkable in a busy and thriving port like Drogheda, and amid many handsome monuments, than among the peasantry of the villages; and it is easy to imagine that if nothing more durable than paint has been employed to immortalize the dead in past times all traces must have speedily disappeared. The illustrations from Drogheda give the whole inscription in each case, neither having date nor age, nor any other particular beyond the name. The memorial on the left hand is of slate--the other two of freestone; and the slate in the northern parts of Ireland is the preferable of the two materials. [Illustration: FIG. 89. DROGHEDA.]