In the Courts of Memory, 1858-1875; from Contemporary Letters — John Shaqi
In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
"Music is not much in my line," said the President; "but when you sing you
warble yourself into a man's heart. I'd like to hear you sing some more."
What other mild cracker could I fire off? Then I thought of that lovely
song, "Mary Was a Lassie," which you like so much, so I sang that.
Mr. Lincoln said, "I think I might become a musician if I heard you often;
but so far I only know two tunes."
"'Hail, Columbia'?" I asked. "You know that, I am sure!"
"Oh yes, I know that, for I have to stand up and take off my hat."
"And the other one?"
"The other one! Oh, the other one is the other when I don't stand up!" I
am sorry not to have seen Mr. Lincoln again. There was something about him
that was perfectly fascinating, but I think I have said this before.
NIAGARA, _August, 1864._
DEAR AUNTY,--My last letter, written from Philadelphia, told you of my
having made Mr. Lincoln's acquaintance. A few days after we left for
Niagara, taking Rochester on our way. I had not seen Rochester since I was
eleven years old, and mama and I both wanted to go there again.
We slept in Rochester that night. The next morning a deputation headed by
the director of the penitentiary, flanked by a committee of benevolent
ladies, called upon us to beg me to sing for the penitents at the
penitentiary the next day, it being Sunday. They all said, in chorus, that
it would be a great and noble act.
I did not (and I do not now) see why pickpockets and burglars should be
entertained, and I could not grasp the greatness of the act, unless it was
in the asking. However, mama urged me (she can never bear me to say no),
and I accepted.
At the appointed time the director called for us in a landau, and we drove
out to the penitentiary. As we entered the double courtyard, and drove
through the much belocked gates, I felt very depressed, and not at all
like bursting forth in song. Mama and I were led up, like lambs to the
slaughter, on to a platform, passing the guilty ones seated in the pews,
the men on one side, the women on the other, of the aisles, all dressed in
stripes of some sort; they looked sleepy and stupid. They had just sat
through the usual Sunday exhortation.
The ladies of the committee ranged themselves so as to make a background
of solemn benevolence on the platform, in the middle of which stood a
primeval melodion with two octaves and four stops. One stop would have
been enough for me, and I needed it later, as you will see.
Here I was! What should I sing? I was utterly at a loss. Why had I not
thought this out before coming?
French love-songs; out of the question.
Italian prayers and German lullabies were plentiful in the _répertoire_,
but seemed sadly out of place for this occasion.
I thought of Lucrezia Borgia's "Brindisi"; but that instantly went out of
my mind. A drinking song urging people to drink seemed absurdly
inappropriate, as probably most of my audience had done their misdeeds
under the influence of drink.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account