‘Magnificent!’ cried Hendricks, but his voice was smothered instantly in a mightier sound, and his movement forward seemed ineffective stumbling. The hundred voices thundered out a single note. Like a deer the boy leaped; like a tongue of flame he flew to join his own; and instantly was surrounded, borne shoulder-high upon those upturned palms, swept back in triumph towards the procession of enormous fires. Wrapped by smoke and sparks, lifted by wind, he became part of the monstrous rhythm that turned that mountain ridge alive. He stood upright upon the platform of interlacing arms; he swayed with their movements as a thing of wind and fire that flew. The shining faces vanished then, turned all towards the blazing piles so that the boy had the appearance of standing on a wall of living black. His outline was visible a moment against the sky, firelight between his wide-stretched legs, streaming from his hair and horizontal arms, issuing almost, as it seemed, from his very body. The next second he leaped to the ground, ran forward--appallingly close--between two heaped-up fires, flung both hands heavenwards, and--knelt. And Hendricks, sympathetically following the boy’s performance as though his own mind and body took part in it, experienced then a singular result: it seemed the heart in him began to roar. This was no rustle of excited blood that the little cavern of his skull increased, but a deeper sound that proclaimed the kinship of his entire being with the ritual. His own nature had begun to answer. From that moment he perceived the spectacle, not with the senses of sight and hearing, separately, but with his entire body--synthetically. He became a part of this assembly that was itself one single instrument: a cosmic sounding-board for the rhythmical expression of impersonal Nature Powers. Leysin, he dimly realised, fixed in his churchy tenets, remained outside, apart, and compromising; Hendricks accepted and went with. All little customary feelings dipped utterly away, lost, false, denied, even as a unit in a crowd loses its normal characteristics in the greater mood that sways the whole. The fire no longer burned him, for he was the fire; nor did he stagger against the furious wind, because the wind was in his heart. He moved all over, alive in every point and corner. With his skin he breathed, his bones and tissue ran with glorious heat. He cried aloud. He praised. ‘I am the whirlwind and I am the fire! Fire that lights but does not burn, and wind that blows the heart to flame!’ His body sang it, or rather the elements sang it through his body; for the sound of his voice was not audible, and it was wind and fire that thundered forth his feeling in their crashing rhythm. IX