Jan of the Windmill: A Story of the Plains — John Shaqi
Jan of the Windmill: A Story of the PlainsEwing, Juliana Horatia
Philosophy
Jan of the Windmill: A Story of the Plains
Ewing, Juliana Horatia
Boys -- Juvenile fiction; Country life -- England -- Juvenile fiction
Slowly and sorrowfully did William toil over this lesson. Again and
again did he rub out his ill-proportioned fives, with so greasy a finger
and such a superabundance of moisture as to make a sort of puddle, into
which he dug heavily, and broke two pencils.
“A vive be such an akkerd vigger,” he muttered, in reply to Jan, who had
looked up inquiringly as the second pencil snapped. “’Twill come aal
right, though, when a dries.”
It did dry, but any thing but right. Jan rubbed out the mass of thick
and blotted strokes, and when the Dame was not looking, he made William’s
figures for him. Jan was behindhand in spelling, but to copy figures was
no difficulty to him.
Having helped his friend thus, he pulled his smock, to draw attention to
his own slate. The other children wrote so slowly that time had hung
heavy on his hands; and, instead of copying the figures in a row, he had
made a drawing of the clock-face, with the figures on it; but instead of
the hands, he had put eyes, nose, and mouth, and below the mouth a round
gray blot, which William instantly recognized for a portrait of the mole
on Dame Datchett’s chin. This brilliant caricature so tickled him, that
he had a fit of choking from suppressed laughter; and he and Jan, being
detected “in mischief,” were summoned with their slates to the Dame’s
chair.
William came off triumphant; but when the Dame caught sight of Jan’s
slate, without minutely examining his work, she said, “Zo thee’s been
scraaling on thee slate, instead of writing thee figures,” and at once
began to fumble beneath her chair.
[Picture: “Zo thee’s been scraaling on thee slate, instead of writing
thee figures,” and at once began to fumble beneath her chair]
But William had slightly moved the strap with his foot, as he stood with
a perfectly unmoved and vacant countenance beside the Dame, which made
some delay; and as Mrs. Datchett bent lower on the right side of her
chair, William began upon the left a “hum,” which, with a close imitation
of the crowing of a cock, the grunting of a pig, and the braying of a
donkey, formed his chief stock of accomplishments.
“Drat the thing! Where be un?” said the Dame, endangering her balance in
the search.
“B-z-z-z-z!” went William behind the chair; and he added, _sotto voce_,
to Jan, “She be as dunch as a bittle.”
At last the Dame heard, and looked round. “Be that a harnet, missus, do
’ee think?” said William, with a face as guileless as a babe’s.
Dame Datchett rose in terror. William bent to look beneath her chair for
the hornet, and of course repeated his hum. As the hornet could neither
be found nor got rid of, the alarmed old lady broke up the school, and
went to lay a trap of brown sugar outside the window for her enemy. And
so Jan escaped a beating.
But this and the story of his first fight are digressions. It yet
remains to be told how he took to drawing pigs.
Public-domain text, read in full here on John Shaqi.
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